Click to Skip Ad
Closing in...

France's Cesars Go To Of Gods and Men and Ghost Writer; No Impact on Oscar Index Video

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood February 25, 2011 at 11:57AM

France's Cesar awards, much like the European Film Awards, gave a lot more credit to Paris-based filmmaker-in-exile Roman Polanski's The Ghost Writer than it has received stateside, where the Academy shut out the film. But the Cesars awarded best director, editing, score and adapted screenplay to the Polanski film. Best animation went to Oscar nominee The Illusionist, directed by Sylvain Chomet. France's Oscar submission Of Gods and Men, which the Academy failed to nominate, won Best Film. Sony Pictures Classics opened the film in the U.S. today.
0
Thompson on Hollywood

France's Cesar awards, much like the European Film Awards, gave a lot more credit to Paris-based filmmaker-in-exile Roman Polanski's The Ghost Writer than it has received stateside, where the Academy shut out the film. But the Cesars awarded best director, editing, score and adapted screenplay to the Polanski film. Best animation went to Oscar nominee The Illusionist, directed by Sylvain Chomet. France's Oscar submission Of Gods and Men, which the Academy failed to nominate, won Best Film. Sony Pictures Classics opened the film in the U.S. today.

IndieWIRE has the full list of winners.

None of this will have any impact on the Oscars, which have been exhaustively tracked by Movieline’s Oscar Index, which has assembled an animated visual of the six-month Oscar race, below.

This article is related to: Awards, Directors, Genres, Video, Oscars, Foreign


E-Mail Updates






Festivals on TOH



Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.