by Meredith Brody
August 14, 2012 12:58 PM 2 Comments
His career was so bizarre – “because of 'The Godfather,' everything went crazy” – he used it to the maximum, found himself in bankruptcy. He wanted to go back to where he was with “Rain People” – and use cheaper collaborators. Without Vittorio Storaro, Gordon Willis, Dean Tavoularis, or Milena Canoneros, there are no hotel bills or plane tickets.
About “Youth Without Youth,” “Tetro,” and “Twixt,” he says “I’ve made three films that I like,” and he shrugs when referring to the mixed reactions that “Youth Without Youth” and “Tetro” have received: “I’m used to that – “The Conversation” wasn’t a big success, “Rumblefish,” “Apocalypse Now,” “One from the Heart”…”. He still remembers Frank Rich calling “One from the Heart” the biggest disaster in Hollywood history in “The New York Times.” “I felt maligned,” he says, “like Hal Baltimore [Kilmer’s character in “Twixt”].”
He tells the audience he’s currently writing a big film, an epic, one part of which is a heartbreaking love story, that starts in the 20s and continues through the early 60s. When he’s done, he says, he has an imaginary box full of imaginary money that he’ll use to make it.
More tidbits from the Q & A:
Art ahead of its time? After further discussion of “Apocalypse Now” and “One from the Heart” – “I was punished for flying too close to the sun,” Coppola says – someone comments that “maybe you’re ahead of the critics?” Coppola responds that art is ahead of its time, as seen in Woody Allen’s “Midnight in Paris,” where the now-famous artists of the Belle Epoque are seen as strivers who can’t get hung in the salon shows of their time. The culture is always moving, he says.
Advice to young filmmakers? “Depend on your wits, and as Napoleon said, use the weapons you have.”
Stealing from each other: Asked whether Herzog’s “Aguirre: The Wrath of God” was an influence on “Apocalypse Now,” he says yes, as well as John Milius’ original script and Eugene Jones’ documentary “A Face of War” – “and then Herzog made 'Fitzacarraldo,'” he said, implying that Herzog in turn was inspired by “Apocalypse.” “They want you to steal from them – it sort of makes you immortal.”
Which artists have had an influence on his work? Elia Kazan, the greatest director of actors; Murnau and Pabst (influenced Hitchcock, who went to UFA in the Twenties); William Wyler and “The Best Years of Our Lives”; King Vidor and Billy Wilder – he mentions “The Apartment.” Film has only been around for a hundred years, he says, and it’s had so many masterpieces. People, it seems, were just waiting to make movies – think of the movies Goethe and Schiller would have made! The future of movies is not 3-D – it lies in the writing – and showing movies live!