Click to Skip Ad
Closing in...
Berlin Review: Could 'War on Everyone' Be the Best Bad Cop Comedy Ever? Berlin Review: Could 'War on Everyone' Be the Best Bad Cop Comedy Ever? Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Oscars: Evaluating the Best Costume Design Nominees Oscars: Evaluating the Best Costume Design Nominees Oscar Predictions 2016 Oscar Predictions 2016 Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) A Letter to Michael B. Jordan A Letter to Michael B. Jordan Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More Inside the Oscar Nominees Lunch Inside the Oscar Nominees Lunch How John Ridley and Company Create the Emotional Resonance of 'American Crime' How John Ridley and Company Create the Emotional Resonance of 'American Crime' Top 10 Takeaways:  'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million Top 10 Takeaways: 'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Inside the Directors Guild Awards Inside the Directors Guild Awards Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt? What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt?

'Frozen' and 'LEGO Movie' Pass Box Office Milestones

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood March 30, 2014 at 3:37PM

Two movies that crossed major box office landmarks this weekend, "Frozen" and "The Lego Movie," remind us that with blockbusters, often originality is king. In its sights: "The Dark Knight Rises." Watch out, Batman, you're about to get beat by a princess!
5

“Frozen” opened wide domestically on November 27, 2013, posting the #1 all-time Thanksgiving debut ($93.6M five-day, $67.4M three-day) and Walt Disney Animation Studios’ biggest opening ever. It remained in the top 10 films at the domestic box office for 16 consecutive weeks, the longest run by any film since 2002.

 Internationally, “Frozen” is the biggest Disney or Pixar animated film of all time in 27 territories, including Russia, China, and Brazil. In Korea, where the film has grossed an estimated $77.1 million, “Frozen” was #1 for the first five weeks of release and is the biggest animated film, the second biggest non-local film, and Disney’s biggest release of all time. It’s also the highest-grossing animated film of all time in Denmark and Venezuela. Since its debut March 14 in Japan, “Frozen” has claimed the #1 spot in its first three weekends and continues to play strongly with an estimated $50.5 million to date.

Released on digital February 25 and on disc March 18, “Frozen” is the fastest-selling digital release ever and sold over 3.2 million Blu-ray/DVD units in its first day, putting it on track to be one of the biggest home entertainment sellers in a decade.

The Platinum-certified “Frozen” soundtrack returned to the #1 spot on the Billboard 200 album chart last week for a seventh time with more than 1.6 million copies and over 5 million individual tracks sold. The album has also held the #1 position for five nonconsecutive weeks at Spotify and is approaching 110 million streams worldwide. The Oscar®-winning song “Let It Go” has sold over 2.6 million copies, and the film clip of the song has been viewed over 160 million times on YouTube.

With original songs from Kristen Anderson-Lopez and Robert Lopez, and an original score by Christophe Beck, “Frozen” is directed by Chris Buck and Jennifer Lee, written by Jennifer Lee, and produced by Peter Del Vecho. It features the voice talents of Kristen Bell, Idina Menzel, Jonathan Groff, and Josh Gad. 

“Frozen” is available in theaters in 2D, 3D and Sing-A-Long, as well as on Digital HD & 3D, Blu-ray Combo Pack, DVD, and On Demand. 

This article is related to: Box Office, Box Office, Box Office, Frozen, The Lego Movie


E-Mail Updates






Festivals on TOH



Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.