Click to Skip Ad
Closing in...
Berlin Review: Could 'War on Everyone' Be the Best Bad Cop Comedy Ever? Berlin Review: Could 'War on Everyone' Be the Best Bad Cop Comedy Ever? Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Oscars: Evaluating the Best Costume Design Nominees Oscars: Evaluating the Best Costume Design Nominees Oscar Predictions 2016 Oscar Predictions 2016 Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) A Letter to Michael B. Jordan A Letter to Michael B. Jordan Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More Inside the Oscar Nominees Lunch Inside the Oscar Nominees Lunch How John Ridley and Company Create the Emotional Resonance of 'American Crime' How John Ridley and Company Create the Emotional Resonance of 'American Crime' Top 10 Takeaways:  'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million Top 10 Takeaways: 'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Inside the Directors Guild Awards Inside the Directors Guild Awards Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt? What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt?

Video: Gary Oldman Performed 'Tinker Tailor Soldier Spy''s Smiley in One or Two Takes

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood December 14, 2011 at 3:49PM

Still waters run deep. That's the secret behind John LeCarre's master British spy George Smiley as played by Gary Oldman in "Tinker Tailor Soldier Spy." The role marks a sharp turn from wild and crazy character actor ("Dracula," "The Professional," "Air Force One," "Immortal Beloved," "Sid & Nancy" "True Romance") to heroic leading man. "It's a lovely change of pace," Oldman says. When he arrived at the "Tinker Tailor Soldier Spy" set he'd ask, "Am I sitting down in this scene?"
1
Gary Oldman interview stills

Still waters run deep. That's the secret behind John LeCarre's master British spy George Smiley as played by Gary Oldman in "Tinker Tailor Soldier Spy." The role marks a sharp turn from wild and crazy character actor ("Dracula," "The Professional," "Air Force One," "Immortal Beloved," "Sid & Nancy" "True Romance") to heroic leading man. "It's a lovely change of pace," Oldman says. When he arrived at the "Tinker Tailor Soldier Spy" set he'd ask, "Am I sitting down in this scene?"

Christopher Nolan was part of the move away from villains, casting Oldman as loyal Gotham Inspector Gordon in "The Dark Knight." ("The Dark Knight Rises "will be his last time playing that role.)  As deliberately directed by Swedish Tomas Alfredson ("Let the Right One In"), "Tinker Tailor Soldier Spy" presented several hurdles for the actor.

One, he had to get past the memory of beloved Sir Alec Guinness's Smiley in the famed 70s BBC mini-series. That involved treating the spy as a Shakespeare character capable of reinterpretation. Two, Oldman had not only to contend with delivering a subtle performance as a spy whose job it is to hide his feelings behind a poker face---but do it in just one or two takes! Alfredson puts Clint Eastwood to shame in the shooting fast department. Alfredson also told me something else about Oldman. He asks each actor to channel an animal in their performance, he said. Oldman was a turtle. Makes perfect sense.

UPDATE: Oldman made it into the Oscar derby (SAG did not come through, but BAFTA did) because his performance is one of the year's best. Yes, this is a thin-lipped, brainy exercise in British precision (written by Oscar-nominated Peter Straughan and Bridget O'Connor). But there is subterranean emotion in Oldman's Smiley. And when he explodes, watch the audience jump. "It's like winding up a rubber band," he says, "and the tension is there when you let it go."

See the video below (if you have not read the book or seen the TV series or movie, beware of spoilers in video three).

This article is related to: Interviews , Awards, Features, Headliners, Genres


E-Mail Updates






Festivals on TOH



Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.