Immersed in Movies: Guillermo del Toro Talks 'Pacific Rim' Robot Porn (VIDEO)

Features
by Bill Desowitz
July 5, 2013 1:29 PM
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'Pacific Rim'
However, with a budget gap between del Toro's ambition and ILM's reach, Knoll devised a more efficient pipeline that shed a lot of waste and forced greater front end iteration. "Certain things you do as a director, if you're changing your mind, you're basically opening up an ATM machine that has no end," del Toro quipped. "They made it easier to do the creative iterations on the front end because the back end beauty pass is much more expensive."

Yet del Toro insists that "Pacific Rim" is more fantasy than sci-fi aimed at his inner 12-year-old. In fact, sci-fi doesn't float his boat. "Robots I have a huge boner for. Sci-fi robots I find incredibly moving, collapsing on a beach or being maimed or trying earnestly Golem-like."

But the humanity of "Pacific Rim" comes from "the drift." That's what elevates it beyond the rock 'em sock 'em fun. And the mecha warriors are only as good as the pilots inside them, who wrestle with their emotional demons when they're drifting.

"The idea was: Can we have two characters, who don't trust anyone, trust each other? I actually wanted the flashback scene of Mako [Rinko Kikuchi] to be like a fairy tale of a girl being saved from a dragon by a knight in shining armor, and when [her protector] comes out of the Jaeger, he looks like a knight. The movie's about the largest things and the smallest things, whether it's a fist hitting a window in a building or a giant monster and a little shoe. And I thought there was no other way to understand the Kaiju attack than by having it be the girl [running in the street] who's in the pilot suit. To understand that little girl is fundamental."

And to understand the passion of this lifelong animation geek is fundamental to our enjoyment of "Pacific Rim." It's all about del Toro's personal drift, which is infectious.

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