By Tom Brueggemann | Thompson on Hollywood June 2, 2013 at 4:29PM
$6,100 at 1 theater; PSA: $6,100
This combination performance art documentary/narrative film featuring the bluegrass folk group Future Folk opened at New York's Cinema Village, and with the added attraction of group member appearances at some showings resulted in a good gross for that particular theater (with has small auditoriums and opens multiple small films weekly) ended up with a passable gross.
What comes next: Los Angeles opens next week, also with personal appearances. Video on Demand begins on Tuesday.
Top ongoing/expanding films
"Before Midnight" (Sony Pictures Classics) - Week 2
$431,000 in 31 theaters (+26); PSA: $13,903; Cumulative: $800,000
A good expansion for Richard Linklater's latest film in this series co-written by and starring Ethan Hawke and Julie Delpy, with a performance of about 60% of the level of the more readily commercial "To Rome With Love" from Woody Allen with similar theaters last year (which met a mixed response but managed to gross $16 million total). This is about half as wide as IFC went with "Frances Ha" last week, with a higher PSA (typical for fewer theaters), but a similarly positive initial indication of interest.
This looks to be on track to outgross "Before Sunrise" and "Before Sunset," with indications that SPC plans for a wider release than either of those (Warner Independent topped out at 204 theaters with "Sunset" in 2004, grossing just under $6 million). It is initially outperforming Linklater's "Bernie" from last year, which reached $9 million in its run.
What comes next: Continued widening through June and beyond.
"Fill the Void" (Sony Pictures Classics) - Week 2
$48,200 in 6 theaters (+3); PSA: $8,033; Cumulative: $148,800
Added runs in Los Angeles doubled the theater count with no new markets yet, leading to an overall adequate second weekend for this Israeli orthodox marriage ritual drama.
What comes next: This still looks on track to find the usual audience for high-quality Israeli films in upcoming months, although not at the level of "The Footnote" or "The Gatekeepers."
"Frances Ha" (IFC) - Week 3
$552,000 in 133 theaters (+73); PSA: $4,150; Cumulative: $1,578,000
In its third weekend, Noah Baumbach's black and white comedy/drama already is IFC's biggest gross since "Sleepwalk With Me" last summer, with a real chance of becoming their first to gross over $5 million since "Cave of Forgotten Dreams" and their biggest since "Y Tu Mama Tambien" more than a decade ago. This is significant since the company has recently been a leader in video on demand, which might have seemed a potential parallel medium for this low-budget, younger urban audience appeal film. But their decision to stick to theatrical initially seems to be working, as word of mouth is helping its cause.
What comes next: Next week, over 200 theaters.
Among films deeper into their runs, Roadside Attractions' "Stories We Tell" is the top performer, adding another $120,000 this weekend in 39 (total $907,000). Two films that have played a week longer and wider already have lower totals -- SPC's "Love Is All You Need" is up to $707,000, while Millennium's "What Maisie Knew" is at $543,000, both modest performers. "The Iceman" also from Millennium, which has played wider than any of them, has hit $1.7 million.
Weinstein's two limited films both continue playing. "Kon-Tiki," whose two Norwegian directors have just been chosen to make the next "Pirates of the Caribbean" entry, still hasn't reached the $1 million mark despite solid support, while "The Sapphires" is nearing the end of its run at around $2.2 million, a figure above what its opening weekend suggested, but still below initial expectations. SPC's "The Company We Keep," the widest of any of these, is nearing the $5 million mark.
The second weekend of Focus' documentary "We Steal Secrets" came in with a weak PSA of $2,500 at 11 theaters, suggesting this won't go much further.