Click to Skip Ad
Closing in...
Berlin Review: Could 'War on Everyone' Be the Best Bad Cop Comedy Ever? Berlin Review: Could 'War on Everyone' Be the Best Bad Cop Comedy Ever? Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Oscar Predictions 2016 Oscar Predictions 2016 Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) A Letter to Michael B. Jordan A Letter to Michael B. Jordan Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More Inside the Oscar Nominees Lunch Inside the Oscar Nominees Lunch How John Ridley and Company Create the Emotional Resonance of 'American Crime' How John Ridley and Company Create the Emotional Resonance of 'American Crime' Top 10 Takeaways:  'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million Top 10 Takeaways: 'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Inside the Directors Guild Awards Inside the Directors Guild Awards Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' How Quentin Tarantino Resurrected Ultra Panavision 70 for 'The Hateful Eight' How Quentin Tarantino Resurrected Ultra Panavision 70 for 'The Hateful Eight' What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt? What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt?

WATCH: James Toback's Cannes Documentary 'Seduced and Abandoned' Talks to Scorsese, Coppola, Bertolucci and Polanski (VIDEO)

Thompson on Hollywood By Anne Thompson and Beth Hanna | Thompson on Hollywood May 15, 2013 at 3:00PM

Check out this clip from James Toback's Cannes documentary "Seduced and Abandoned," which follows the director and buddy Alec Baldwin as they adventure through the wilds of the Croisette, looking for funding for a new project. In the clip, Toback speaks with big names like Martin Scorsese, Francis Ford Coppola, Bernardo Bertolucci and Roman Polanski on the state of film and the industry.
0
James Toback and Roman Polanski in "Seduced and Abandoned."
James Toback and Roman Polanski in "Seduced and Abandoned."

Check out this clip from James Toback's Cannes documentary "Seduced and Abandoned," which follows the director and buddy Alec Baldwin as they adventure through the wilds of the Croisette, looking for funding for a new project. In the clip, Toback speaks with big names like Martin Scorsese, Francis Ford Coppola, Bernardo Bertolucci and Roman Polanski on the state of film and the industry. 

HBO recently acquired North American rights to the film. As the studios cede ground to HBO, the Cannes Film Festival has embraced the cabler as well. Steven Soderbergh's Liberace biopic "Behind the Candelabra," with juicy roles for stars Michael Douglas and Matt Damon, is entered in the main competition. 

"Seduced and Abandoned" makes its world premiere as a Special Screening in the Cannes Official Selection, and also includes portraits of stars Ryan Gosling, Jessica Chastain, Berenice Bejo, Diane Kruger and James Caan. 

“The film idea was generated by conversations Alec and I have had over a long period of time and we decided we’d go to Cannes and shoot a record of our quest to find money to make a movie, which in effect is not a movie we’re definitely making, but rather one we will make in the future if we raise the money for it here,” Toback told Deadline last year. “This film is about that process, documenting the progress and the potential success or failure of the two of us in a picaresque attempt to obtain the financing of a movie we have a general idea about making.”

The film was produced by Baldwin, Toback and Michael Mailer, and executive produced by Morris Levy, Alan Helene, Larry Herbert and Neal Schneider. Toback also took his doc "Tyson" to Cannes in 2008. The deal for the film was negotiated with HBO by Jeff Berg at Resolution on behalf of the filmmakers. International sales are being handled by Hanway.

Toback earned an Oscar nomination for his screenplay for “Bugsy" and wrote the original screenplay for the Carol Reisz film “The Gambler.” He also wrote and directed “Fingers,” “Love & Money,” “Exposed,” “The Big Bang,” “Two Girls and a Guy,” “Harvard Man,” “The Pick-up Artist,” “Black and White” and “When Will I Be Loved.”


This article is related to: Cannes Film Festival, Alec Baldwin, James Toback, HBO


E-Mail Updates






Festivals on TOH



Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.