Click to Skip Ad
Closing in...
Gaspar Noé's List of 10 Favorite Films Makes Perfect, Terrifying Sense Gaspar Noé's List of 10 Favorite Films Makes Perfect, Terrifying Sense Jon Hamm Wants You to Know There's Hope for Don Draper After 'Mad Men' Jon Hamm Wants You to Know There's Hope for Don Draper After 'Mad Men' Women Fight Back at Cannes, From Megan Ellison to Emily Blunt Women Fight Back at Cannes, From Megan Ellison to Emily Blunt Of Time & Life: How 'Mad Men' Remade Television Of Time & Life: How 'Mad Men' Remade Television Nikki Finke Returns Nikki Finke Returns Cannes Goes Crazy for Jeremy Saulnier's Gruesome Neo-Nazis vs. Punks Horror 'Green Room' Cannes Goes Crazy for Jeremy Saulnier's Gruesome Neo-Nazis vs. Punks Horror 'Green Room' Cannes Festival Is Dominated by Two Hollywood Masters Cannes Festival Is Dominated by Two Hollywood Masters Top Ten Takeaways: Sequels Rule as Women Boost 'Pitch Perfect 2,' 'Mad Max: Fury Road' Also Strong Top Ten Takeaways: Sequels Rule as Women Boost 'Pitch Perfect 2,' 'Mad Max: Fury Road' Also Strong Cannes: Directors from Fincher to Scorsese Revisit Truffaut's Famous Interview with Hitchcock Cannes: Directors from Fincher to Scorsese Revisit Truffaut's Famous Interview with Hitchcock 'Pitch Perfect 2' Outperforms 'Mad Max: Fury Road'; 'Ultron' Is Now Top 2015 Release 'Pitch Perfect 2' Outperforms 'Mad Max: Fury Road'; 'Ultron' Is Now Top 2015 Release Kristen Stewart Re-Teams with Her 'Sils Maria' Director for Ghost Story Set in Fashion World Kristen Stewart Re-Teams with Her 'Sils Maria' Director for Ghost Story Set in Fashion World Watch: Netflix's Ted Sarandos Heckled at Cannes, Gets Weinstein on His Feet During Heated Debate (VIDEO) Watch: Netflix's Ted Sarandos Heckled at Cannes, Gets Weinstein on His Feet During Heated Debate (VIDEO) George Miller and DP John Seale Go Inside 'Mad Max: Fury Road': "It Was Like Being in a Video Game" George Miller and DP John Seale Go Inside 'Mad Max: Fury Road': "It Was Like Being in a Video Game" Natalie Portman's Passion Project 'Tale of Love and Darkness' Splits Cannes Critics Natalie Portman's Passion Project 'Tale of Love and Darkness' Splits Cannes Critics Cannes: 'Dogtooth' Director Yorgos Lanthimos Scores with Surreal, Macabre 'The Lobster' (Review and Roundup) Cannes: 'Dogtooth' Director Yorgos Lanthimos Scores with Surreal, Macabre 'The Lobster' (Review and Roundup) Weinstein Co. Offers Strong Slate at Cannes Weinstein Co. Offers Strong Slate at Cannes 'Mad Max: Fury Road' Auteur George Miller Does It His Way, No Matter How Long It Takes 'Mad Max: Fury Road' Auteur George Miller Does It His Way, No Matter How Long It Takes The Top 20 Episodes of 'Mad Men' The Top 20 Episodes of 'Mad Men' How the 'Mad Max: Fury Road' Score Paid Homage to Hitchcock's 'Vertigo' How the 'Mad Max: Fury Road' Score Paid Homage to Hitchcock's 'Vertigo' Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A)

Hot Docs: Technological Revolution, 'Total Disruption,' Stolen Privacy

Photo of John Anderson By John Anderson | Thompson on Hollywood April 29, 2013 at 2:20PM

“Isn’t it ironic that I’m having all these technical problems when I’m supposed to be talking about technology?” director Ondi Timoner asked a very patient (for awhile) Hot Docs audience Monday. Well, yeah, but it’s hardly the only irony that’s been on display here in Toronto.
0
Ondi Timoner
Ondi Timoner

“Isn’t it ironic that I’m having all these technical problems when I’m supposed to be talking about technology?” director Ondi Timoner asked a very patient (for awhile) Hot Docs audience Monday. Well, yeah, but it’s hardly the only irony that’s been on display here in Toronto.

Just as Hot Docs prepares to break its own attendance records, Canada’s federal George W. Bush impersonators have been cutting doc funding to the CBC, Telefilm and the National Film Board of Canada (prompting sit-ins in Montreal and filmmaker Kevin McMahon, in the National Post, to make a case for the documentary as Canada’s official art form. Maybe then it would get as much respect as, say, lacrosse). The NFB, at the same time, has been allowing its attention to be diverted toward transmedia projects, rather than traditional film, which is symptomatic of officialdom’s desperate-seeming effort to be hip.

Then there’s the likable Timoner, who’s won the top Sundance doc prize twice (for “Dig!” and “We Live In Public”) and was supposed to be delivering the Hot Docs keynote address to a just-about-packed house about the state of internet technology and its influence on doc-making. As advertised, Timoner would draw “on her research into how innovators in technology and business are permanently transforming our lives as well as her own experience as a content creator in this rapidly evolving landscape, to address what this means for the media industries.” In a talk titled “Total Disruption,” Timoner would address the “revolution taking place on millions of screens.”

To a crowd that had clearly come to hear some news they could use, the most trenchant observation coming for Timoner was that they all live in a time when they might as well forget about their rights as artists. “If you don’t give it away, it’s stolen anyway.”

This article is related to: Hot Docs , Festivals, Ondi Timoner, Documentary, Documentaries


E-Mail Updates






Festivals on TOH