Click to Skip Ad
Closing in...
Gaspar Noé's List of 10 Favorite Films Makes Perfect, Terrifying Sense Gaspar Noé's List of 10 Favorite Films Makes Perfect, Terrifying Sense Jon Hamm Wants You to Know There's Hope for Don Draper After 'Mad Men' Jon Hamm Wants You to Know There's Hope for Don Draper After 'Mad Men' Women Fight Back at Cannes, From Megan Ellison to Emily Blunt Women Fight Back at Cannes, From Megan Ellison to Emily Blunt Of Time & Life: How 'Mad Men' Remade Television Of Time & Life: How 'Mad Men' Remade Television Nikki Finke Returns Nikki Finke Returns Cannes Goes Crazy for Jeremy Saulnier's Gruesome Neo-Nazis vs. Punks Horror 'Green Room' Cannes Goes Crazy for Jeremy Saulnier's Gruesome Neo-Nazis vs. Punks Horror 'Green Room' Cannes Festival Is Dominated by Two Hollywood Masters Cannes Festival Is Dominated by Two Hollywood Masters Top Ten Takeaways: Sequels Rule as Women Boost 'Pitch Perfect 2,' 'Mad Max: Fury Road' Also Strong Top Ten Takeaways: Sequels Rule as Women Boost 'Pitch Perfect 2,' 'Mad Max: Fury Road' Also Strong Cannes: Directors from Fincher to Scorsese Revisit Truffaut's Famous Interview with Hitchcock Cannes: Directors from Fincher to Scorsese Revisit Truffaut's Famous Interview with Hitchcock 'Pitch Perfect 2' Outperforms 'Mad Max: Fury Road'; 'Ultron' Is Now Top 2015 Release 'Pitch Perfect 2' Outperforms 'Mad Max: Fury Road'; 'Ultron' Is Now Top 2015 Release Kristen Stewart Re-Teams with Her 'Sils Maria' Director for Ghost Story Set in Fashion World Kristen Stewart Re-Teams with Her 'Sils Maria' Director for Ghost Story Set in Fashion World Watch: Netflix's Ted Sarandos Heckled at Cannes, Gets Weinstein on His Feet During Heated Debate (VIDEO) Watch: Netflix's Ted Sarandos Heckled at Cannes, Gets Weinstein on His Feet During Heated Debate (VIDEO) George Miller and DP John Seale Go Inside 'Mad Max: Fury Road': "It Was Like Being in a Video Game" George Miller and DP John Seale Go Inside 'Mad Max: Fury Road': "It Was Like Being in a Video Game" Natalie Portman's Passion Project 'Tale of Love and Darkness' Splits Cannes Critics Natalie Portman's Passion Project 'Tale of Love and Darkness' Splits Cannes Critics Cannes: 'Dogtooth' Director Yorgos Lanthimos Scores with Surreal, Macabre 'The Lobster' (Review and Roundup) Cannes: 'Dogtooth' Director Yorgos Lanthimos Scores with Surreal, Macabre 'The Lobster' (Review and Roundup) Weinstein Co. Offers Strong Slate at Cannes Weinstein Co. Offers Strong Slate at Cannes 'Mad Max: Fury Road' Auteur George Miller Does It His Way, No Matter How Long It Takes 'Mad Max: Fury Road' Auteur George Miller Does It His Way, No Matter How Long It Takes The Top 20 Episodes of 'Mad Men' The Top 20 Episodes of 'Mad Men' How the 'Mad Max: Fury Road' Score Paid Homage to Hitchcock's 'Vertigo' How the 'Mad Max: Fury Road' Score Paid Homage to Hitchcock's 'Vertigo' Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A)

How Most Indie Filmmakers Are Stunting the Growth of Their Own Films

Thompson on Hollywood By Chris Dorr | Thompson on Hollywood February 28, 2014 at 3:16PM

It is almost a cliché it is so true. The Internet changes every part of the media world. There are no exceptions. I have come to the conclusion that there are two groups of people within the media world. Those who deny the change and those who acknowledge it. (Sort of like the climate.) Yes, it is that simple and that stark.
5
Indie film

It is almost a cliché it is so true. The Internet changes every part of the media world. There are no exceptions. I have come to the conclusion that there are two groups of people within the media world. Those who deny the change and those who acknowledge it.  (Sort of like the climate.) Yes, it is that simple and that stark.

In the indie film world, the deniers are winning.

I just had a great conversation with Scott Macaulay on his recent blog post on copyright. We both brought up Indie Game The Movie.  This film is the model for anyone who wishes to use the Internet to finance, market and distribute an indie movie. Any independent filmmaker can adopt the model. 

Sadly, few are doing so.

Scott refers to the movie’s producers:

“We ran a story in last year’s Winter issue detailing how they did what they did and in my Editor’s letter I encouraged people to do the same… A year later, I decided to write an article extolling all the people who were following their approach… and, crickets. I started early, reached out to people, contacted Sundance to see who the big self-distributing DIYers at the festival were. And came up with hardly anyone.”

Read of the rest of this article at Digital Dorr.

This article is related to: Features, Digital Future


E-Mail Updates






Festivals on TOH