But I like that it's a movie at odds with itself. I found it poignant and cathartic. And there's a certain humility that's also refreshing in this journey about adoption, alienation, and assimilation. He's constantly tested and bullied in what eventually leads to a crisis of conscience when Superman battles General Zod (Michael Shannon).
In fact, humility was the very word that Snyder described to composer Hans Zimmer, which found its way into the theme via a lovely piano motif. "And the weird thing about that piano thing is, it doesn't sound very good, and it's not very well played," Zimmer recalls. "I tried to get better pianists and better players than myself to play it, and it lost all its charm. It had to be played by somebody inept."
That humility is part of the charm of "Man of Steel," an unapologetic Superman movie that attempts to make the DC superhero meaningful again in the 21st century. "I always felt like in the recent past that people had been apologizing for Superman a little bit for his costume, for his origins, for the way he fits into society," Snyder says. "And we really wanted to just say, 'No, no. This is the mythology. This is how it is, and it's supposed to be this way.' And I think that's kind of the movie we made. We wanted to enshrine him where he belongs. And whether or not that's making it too important, I don't know, but it was the way we wanted to do it. So it was fun."
My dad would've been 80 this year and I think he would've delighted in the unapologetic reverie of "Man of Steel." It's the perfect Father's Day gift for a new generation of fathers and sons.