Life of Pi, Candles

Miranda chose the Arri Alexa digital camera for "Life of Pi" because it was the best at capturing the crucial highlights of the ocean and it produced imagery that looked natural and film-like. He also used a Spydercam in combination with a large gimbal and rotator on top, especially for the Storm of God sequence in which Pi and Richard Parker hide under the lifeboat's canvas.

In fact, Miranda never saw the completely rendered Bengal tiger until preparing the DI in post-production. Thus, even though he worked with Rhythm & Hues on matching his intricate on set lighting, there was a certain amount of faith that Richard Parker would look and move believably. But he had to see the soul in his eyes before he knew for sure.

"The first thing I saw was the tiger under the canopy and I knew he looked great," the cinematographer affirms. "And I think the best CG tiger shot is when he sits on Pi's lap looking so emaciated. The boy says, 'We're dying, Richard Parker.' The lighting is almost banal -- it's just calm and still. I love the sadness. In fact, India thought that we were hurting a real tiger and initially banned the movie. So Rhythm & Hues put together a little making of and sent it to the India commission and explained what they had done."

Next up for Miranda: Brad Bird's secretive sci-fi movie, "1952" (December 19, 2014), starring George Clooney. "It has these different places and the juxtaposition of a couple of them can be very interesting," he teases.

Another challenging cinematic journey we can look forward to shot by Miranda.

"Alone with a Tiger" clip: