Click to Skip Ad
Closing in...
Toronto Film Festival Lineup: What Did They Get? Toronto Film Festival Lineup: What Did They Get? Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Scott Foundas Explains Why He's Leaving Film Criticism--Again--for Amazon Studios Scott Foundas Explains Why He's Leaving Film Criticism--Again--for Amazon Studios Congrats to Monica Bellucci: She's Making History Congrats to Monica Bellucci: She's Making History Broad Green Dates 'Knight of Cups' and Two More Releases Broad Green Dates 'Knight of Cups' and Two More Releases Watch: The Secret Ingredient to David Lynch's Disorienting Cinema Watch: The Secret Ingredient to David Lynch's Disorienting Cinema First Look: 'No' Director Pablo Larraín Channels 'Neruda' with Gael García Bernal First Look: 'No' Director Pablo Larraín Channels 'Neruda' with Gael García Bernal Is 'The Revenant' the Most Hellish Shoot of All Time? Is 'The Revenant' the Most Hellish Shoot of All Time? Broad Green Enters Long-Term Home Video Deal with Universal for Burgeoning Slate Broad Green Enters Long-Term Home Video Deal with Universal for Burgeoning Slate Gabriel García Márquez Documentary Coming Soon (Trailer) Gabriel García Márquez Documentary Coming Soon (Trailer) Watch 'SPECTRE' Trailer: James Bond Meets the Author of His Pain Watch 'SPECTRE' Trailer: James Bond Meets the Author of His Pain 'BoJack Horseman,' 'Rick and Morty,' and Our Love/Hate Relationship with TV 'BoJack Horseman,' 'Rick and Morty,' and Our Love/Hate Relationship with TV Why I Can't Wait to See 'Crimson Peak,' Guillermo del Toro's Sumptuous Period Thriller (VIDEO) Why I Can't Wait to See 'Crimson Peak,' Guillermo del Toro's Sumptuous Period Thriller (VIDEO) First Look at Julianne Moore and Ellen Page as a Gay Couple in 'Freeheld' First Look at Julianne Moore and Ellen Page as a Gay Couple in 'Freeheld' Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991 Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991

Immersed in Movies: Howard Berger Talks 'Hitchcock' Makeup

Photo of Bill Desowitz By Bill Desowitz | Thompson on Hollywood January 2, 2013 at 12:52PM

While the first glimpse of Anthony Hopkins as the Master of Suspense in "Hitchcock" is startling (how could it be otherwise?), SFX makeup wiz Howard Berger makes us believe in the illusion almost immediately...
0


Hitchcock Anthony Hopkins

Meanwhile, Samuels worked on the hair: "Anthony has a full head of white hair. I shaved his head and colored the hair in and left the white sides out and put a little lace hair piece on the top to give it a wispy, balding effect to complement the makeup that Howard did."

Berger was apprehensive at first about "Hitchcock" being shot digitally. But this worked out well because cinematographer Jeff Cronenweth lit it for film with the Red Epic. They'd be watching on a monitor and asked for a light adjustment to make the makeup less apparent and Cronenweth accommodated them.

Interestingly, though, the application routine between Berger and lead makeup artist Peter Montagna was almost balletic, the way they simultaneously worked each side of Hopkins' face. Berger maintains that the trick, of course, was not taking the viewer out of the movie. Hopkins played along by sneaking into his dressing room on the Paramount lot every day and emerging as Hitch when they were ready to shoot.

However, Hopkins occasionally broke character with Berger to do spot-on Jerry Lewis impressions in honor of shooting on the same backlot where the comedian/director made his movies.

But it is "Psycho" that remains near and dear to Berger's heart as his favorite Hitchcock movie. "Through the course of the shooting, we had visitors that worked with Hitchcock on 'Psycho,' who thought we had gone back in time, and that was the greatest compliment we could get," he regales.

Hitchcock Making of Featurette

This article is related to: Hitchcock, Immersed In Movies, Features, Anthony Hopkins


E-Mail Updates








Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.