Click to Skip Ad
Closing in...
Ranking the 5 Best Editing Oscar Nominees Ranking the 5 Best Editing Oscar Nominees Kristen Stewart Is First American Actress Nominated for César Awards in 30 Years; 'Saint Laurent' Leads with Ten Kristen Stewart Is First American Actress Nominated for César Awards in 30 Years; 'Saint Laurent' Leads with Ten How They Sustained the Times Square Momentum in 'Birdman' VIDEO How They Sustained the Times Square Momentum in 'Birdman' VIDEO 6 Things to Know About Sexy Sundance Breakout 'Diary of a Teenage Girl,' Part of Sundance's Women's New Wave 6 Things to Know About Sexy Sundance Breakout 'Diary of a Teenage Girl,' Part of Sundance's Women's New Wave Sundance Raves About Ewan McGregor as Jesus and the Devil in 'Last Days in the Desert' Sundance Raves About Ewan McGregor as Jesus and the Devil in 'Last Days in the Desert' Oscar Loves Diseases and Disorders: 6 Contenders and the Hard Truths They Don't (or Do) Ignore Oscar Loves Diseases and Disorders: 6 Contenders and the Hard Truths They Don't (or Do) Ignore Watch: Jason Segel on Playing David Foster Wallace in Sundance's 'End of the Tour' (Exclusive Interview) Watch: Jason Segel on Playing David Foster Wallace in Sundance's 'End of the Tour' (Exclusive Interview) Filmmakers, Give Us Your Numbers! Sundance and Cinereach Unveil The Transparency Project Filmmakers, Give Us Your Numbers! Sundance and Cinereach Unveil The Transparency Project Sundance Market Explodes with 'Me and Earl and the Dying Girl' and 'Diary of a Teenage Girl' Sundance Market Explodes with 'Me and Earl and the Dying Girl' and 'Diary of a Teenage Girl' Screen Actors Guild Awards: 'Birdman' Takes Ensemble, Julianne Moore and Eddie Redmayne Win Leads Screen Actors Guild Awards: 'Birdman' Takes Ensemble, Julianne Moore and Eddie Redmayne Win Leads Top Ten Takeaways: Polarizing 'American Sniper' Speeds Past $200 Million; Lopez Trounces Depp Top Ten Takeaways: Polarizing 'American Sniper' Speeds Past $200 Million; Lopez Trounces Depp Arthouse Audit: Panic Time? 'Mommy,' 'Red Army,' 'Black Sea,' 'Cake,' 'Duke of Burgundy' All Disappoint Arthouse Audit: Panic Time? 'Mommy,' 'Red Army,' 'Black Sea,' 'Cake,' 'Duke of Burgundy' All Disappoint 2015 PGA Winners: 'Birdman' Steals 'Boyhood''s Awards Season Thunder 2015 PGA Winners: 'Birdman' Steals 'Boyhood''s Awards Season Thunder Watch: Nicole Kidman Talks 'Strangerland' at Sundance (Exclusive Video Interview) Watch: Nicole Kidman Talks 'Strangerland' at Sundance (Exclusive Video Interview) Sundance Acquisitions Market Heats Up with 'The Bronze' and 
'The Witch' Sundance Acquisitions Market Heats Up with 'The Bronze' and 'The Witch' Sundance: 5 Things to Expect From Alex Gibney's Damning Scientology Doc 'Going Clear' Sundance: 5 Things to Expect From Alex Gibney's Damning Scientology Doc 'Going Clear' Watch: Meet the Women of 'Birdman' (Exclusive 4-Minute Featurette) Watch: Meet the Women of 'Birdman' (Exclusive 4-Minute Featurette) Watch: Hitchcock's Thwarted Holocaust Documentary Comes to HBO Watch: Hitchcock's Thwarted Holocaust Documentary Comes to HBO Best Actor Oscar Predictions 2015 UPDATED Best Actor Oscar Predictions 2015 UPDATED Oscar Predictions 2015 Oscar Predictions 2015

Immersed in Movies: Talking 'Argo' with Cinematographer Prieto

Thompson on Hollywood By Bill Desowitz | Thompson on Hollywood November 19, 2012 at 2:38PM

Rodrigo Pietro calls "Argo" a "visual tapestry." That's because the bizarre fact-based espionage thriller and best picture Oscar front runner required the cinematographer to craftily piece together various looks to pull off the creative hodgepodge of styles, genres, and locales.
2
Argo

However, scenes shot in Istanbul's historic Hagia Sofia locale were carefully done with the Alexa digital camera because of low light situations. But Prieto didn't like the fluorescent bulbs in the chandeliers, which gave off an ugly green hue, so he got permission to change them to tiny 7-watt incandescent bulbs to create golden points of light. The Turkish government was so impressed that it decided not to replace them afterward.

Meanwhile, they filmed the sequence at the Canadian Ambassador's home at a residence in Hancock Park, with Affleck encouraging the actors to stay there together for two weeks prior to the shoot. He used that familiarity to let them improvise.

But the location posed challenges for Prieto. "Ben wanted constantly to be rolling with two cameras to catch them improvising. However, the lighting was tricky because I had to make it look good in any direction and have it still be realistic. Also, the ceilings weren't high and Ben is tall, so it was hard keeping his lighting out of frame. I had to devise lighting instruments that were tight to the ceiling and still be able to control the lights so they weren't going all over the place."

Now Prieto has segued to another presumptive Oscar contender: Martin Scorsese's "The Wolf of Wall Street," which takes place in the late '80s and utilizes the cinematographer's trademark naturalism. "Maybe I should do sci-fi next," he quips.

This article is related to: Immersed In Movies, Argo, Ben Affleck, Features, Production , Interviews, Interviews , Academy Awards, Awards, Awards, Oscars


E-Mail Updates