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Immersed in Movies: VFX Vet Dean Wright Talks Directing Mexico Period Drama 'For Greater Glory'

Photo of Bill Desowitz By Bill Desowitz | Thompson on Hollywood May 31, 2012 at 7:32PM

Dean Wright is the latest VFXer to cross over into directing with "For Greater Glory" (opening tomorrow in limited release), following in the footsteps of James Cameron, Peter Jackson, and Andrew Adamson...
For Greater Glory, Dean Wright

Dean Wright is the latest VFXer to cross over into directing with "For Greater Glory" (opening Friday in limited release), following in the footsteps of James Cameron, Peter Jackson, and Andrew Adamson. Indeed, working with these three celebrated directors on "Titanic," the last two "Lord of the Rings" epics, and the first two "Chronicles of Narnia" ventures was like a Master's class. Wright even got to direct second unit for Jackson and Adamson.

However, "For Greater Glory" is anything but a VFX movie in chronicling Mexico's darkest hour of the modern era: the government-sanctioned persecution and slaughter of Catholics in the 1920s, which turned into the infamous Cristero War. First the clerics were deported or murdered and then anyone else that resisted the draconian law. The stirring drama was therefore more "Braveheart" than "Lord of the Rings," which is why Wright attracted such prestigious actors as Andy Garcia, Eva Longoria, Peter O'Toole, Oscar Isaac, Ruben Blades, Bruce Greenwood, and Catalina Sandino Moreno.

Good thing Wright had a wealth of experience to draw on as both a craftsperson and problem solver (including stints as Digital Domain's VFX production manager and head of production for Disney's former Dream Quest Images digital facility) because he was under the gun with this indie. He only had 12 weeks to shoot in six states throughout Mexico, which had never been done before on this scale. Wright had to contend with animals, stunt people, and extras, while also choreographing battle sequences. Since this was a home grown production, he also trained the local production team. Wright even insisted shooting on film, despite his digital experience, and nearly ran out of film stock, because he believes it is still superior. It was the model of guerilla filmmaking, spearheaded by producer Pablo Barroso, who longed to bring this secret atrocity to the big screen.

And when they got into post, the producers were so encouraged by the footage that they bumped up the budget to around $15 million, allowing Wright to hire composer James Horner, among others.

"When I read the script by Michael Love it reminded me of the American Founding Fathers even though it was Mexico of the 1920s," Wright recalls. "They were all fascinating, conflicted characters." They include retired General Gorostieta (played by Garcia), an agnostic that leads the freedom fighters; Father Reyes Vega (Santiago Cabrera), who joins the fight seeking vengeance; and Victoriano Ramirez (Isaac), a free-spirited insurgent.

"They all make mistakes and screw up," Wright adds. "To a person, they all did the right thing, I think. We needed to do what Peter did with 'Lord of the Rings': show Mexico to a world that's never seen this: the triumphant heroism of Mexican historical figures. The immigration of Mexicans into this country really started during this period. People fled across the border for safety because they were being persecuted and killed. Millions left to build communities and never went back."

This article is related to: Immersed In Movies, Genres, Interviews, Period, VFX

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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.