2. At the very least, it appears that 2014 is the year of "The Immigrant."
Perhaps James Gray is fated for neglect, or at least a kind of cult status. His ambitious, desperate crime drama "The Yards" (2000) flopped, the victim -- per Peter Biskind's "Down and Dirty Pictures" -- of a Miramax hatchet job; even the praise for "Two Lovers" (2009) seems tepid given that its sensuous, troubled rendering of a jagged love triangle is one of the last decade's great New York romances.
Now his period drama "The Immigrant," which premiered in competition at Cannes to middling reviews, wallows in indeterminacy: picked up by Radius-TWC for concurrent VOD and theatrical release in early 2014, the exact date remains unclear. Anne Thompson's description of the script ("listless and repetitive") gives me pause, but the narrative of a Polish immigrant (Marion Cotillard) caught between a pimp (Joaquin Phoenix) and a magician (Jeremy Renner) in Jazz Age Manhattan -- not to mention Gray's directorial bona fides -- seem to ensure that his will be a bold, distinctive take on border crossings. I wouldn't expect anything less.