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In Must-See 'Locke,' Tom Hardy Is Under Pressure

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by Anne Thompson
April 23, 2014 3:28 PM
8 Comments
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Tom Hardy in 'Locke'
Tom Hardy in 'Locke'

UK writer-turned-director Steven Knight ("Dirty Pretty Things," "Eastern Promises") introduced a screening of "Locke" (April 25) at his agency CAA Monday night. On the one hand, "Locke" is a daring film experiment (similar to Mike Figgis' triptych "Time Code"), as Knight wanted to film one performance in normal time from start to finish. Using three multiple cameras, inside and outside a BMW driving through the night on the M6, Knight and actor Tom Hardy ran through an intense sequence of bluetooth phone calls 16 times over 12 days. No other actor appears on screen--the voice actors, including Olivia Colman and Ruth Wilson, were sitting in a conference room as the calls rolled into Hardy's car. On the other, "Locke" is a tense, well-written and edited drama carried by Hardy's riveting, naturalistic performance.

You can see that Hardy is really driving. As the movie unfolds, you start to figure out why the very stressed Ivan Locke, who is trying to hold himself together under immense pressure, is driving away from a gigantic building construction site, giving instructions about pouring concrete to his right-hand man, and talking to a woman he hardly knows in a hospital. He also talks to someone who is not on the phone: his father. Each call ratchets up the stakes as you get to know and care about this decent, well-intentioned man, who in an instant abandons control of his well-organized life. He is heroic as he does something that he believes is right that threatens to upend everything. "I have made my decision," he keeps telling the people who are questioning just that. And he adds, "I have behaved not at all like myself."

As he talks to his wife and kids, his employee and boss, and a woman and a doctor in the hospital that he is hurtling toward on the M6, he feels a wide range of emotions: frustration, anger, anxiety, guilt, concern, pride, anticipation, sorrow, amusement, pain, loss, joy and grief. We all feel these things: but not in such a concentrated period of movie time. 

This is a case where despite the small scale of this digital movie (which cost less than $1 million), Hardy's performance is so towering--and moving--that it's a pity the film won't have a major festival launch before its stateside release. The film made its world premiere at August's Venice Film Festival, where it won raves despite showing out of competition, but the Toronto Fest would not give it a prime gala slot without the working Hardy on hand. But the film screened for buyers there, and A24 picked it up before playing October's London International Film Festival. The distributor of "Spring Breakers" and "The Bling Ring" is on a roll after "The Spectacular Now" and "Under the Skin." They booked the film at Sundance, where it played without much fanfare outside the main sections. So they're opening the film April 25 --while there's room to breathe --and hoping it does well enough to justify a Best Actor awards campaign. 

Hardy isn't yet a household name. But anyone who tracks acting knows he has the right stuff. He debuted in HBO's "Band of Brothers" and broke out with Hollywood insiders via passed-around screeners of Nicolas Winding Refn's "Bronson," which revealed an extraordinary actor. Casting agents took notice, and Hardy landed back-to-back roles in Christopher Nolan's "Inception" and "The Dark Knight Rises" as well as "Tinker Tailor Soldier Spy" and "Lawless." He's coming up in a number of films at various stages of production: George Miller's long-in-the-works "Mad Max" sequel "Fury Road," the Dennis Lehane robbery story "The Drop," Daniel Espinosa's "Child 44," also starring Gary Oldman; and has landed the title role in upcoming Elton John biopic "Rocketman."

Just announced is a new collaboration with Knight (who created UK TV hit "Peaky Blinders"), the BBC series, "Taboo," executive produced by Ridley Scott. (I interview Hardy here for "Warrior.") 

8 Comments

  • Adam Scott Thompson | August 20, 2014 8:50 PMReply

    The realest in the game right now.

  • Max | June 28, 2014 12:15 AMReply

    Tom Hardy as Freddy in "The Take" on British TV, a four part series. Put it on your list of must see. He is so good in every thing he does, but this is the one that makes him a guarantee "can't forget". It is available on Hulu via IMDB and I think there is a DVD out there. SEE IT! Absolutely
    mesmerizing.

  • grace | June 15, 2014 3:20 PMReply

    Seria Genial que ganara el premio de la Academia a mejor actor, lo merece desde que lo vi en Stuart, Bronso, Virgin queen, Heatcliff, The Take, Oliver twist....Y m encantaria poder ver en cine Locke, pero aqui no hay noticias.

  • slash's hat | May 18, 2014 3:56 PMReply

    FLOVE Tom Hardy, 'The Take' was riveting, but i am really struggling envisioning him in "title role in upcoming Elton John biopic "Rocketman."

  • Fred | May 8, 2014 3:53 PMReply

    I saw Locke and it did not disappoint. Very solid on every level.

  • WWDG | May 7, 2014 11:23 AMReply

    Very interested in seeing this film. I have only heard good things about it.
    Justafan, you are so right, however I was surprised to find no mention of 'Stuart: A Life Backwards'. That was the first thing I ever saw him in, and he gave an amazing, heart breaking performance even then.

  • justafan | April 9, 2014 4:44 AMReply

    I've seen all Tom Hardy's films and can't wait to see Locke because I keep reading all over the web how powerful and mesmerizing his performance is. His Bronson performance was jaw dropping for sure. But if you want to be entertained to peak levels of amusement, excitement and admiration at how incredibly gifted and charismatic this actor can be on screen, get yourself a DVD of The Take. His performance as the menacing London gangster Freddie Jackson is simply electrifying. Adoring fans keep wondering why this beloved actor is still not a household name. It's only a matter of time before the rest of the world catches on.

  • Ken | April 21, 2014 5:16 PM

    Freddie Jackson was my 1st introduction to the very talented Tom Hardy. An unforgettable monster/ gangster. Bronson was electifying. Cant wait to see Locke.

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