Eisner divided the socially-conscious novel about the immigrant experience into four related segments of different lengths: "A Contract with God: (Rivera), "The Street Singer" (Chun), "The Super" (Jenkins) and "Cookalien" (Baker). Nat Sanders, Jenkins' editor on Melancholy, will edit the project. Dean will weave some characters through the four stories. Baker was the first director Dean thought of for the last, most chaotic sequence. Then he went to the others. "I trust the filmmakers' vision of what Will would do," Dean told me during an interview with the filmmakers in San Diego.
The four directors are just starting to talk about how they would coordinate on Dean's script based on Eisner's autobiographical memoir of growing up Jewish in a Bronx tenement. Said Rivera, "It's one story told from four perspectives. The images in the book stand in stark contrast with what you see here in Comic-Con. Eisner's book is unique and powerful."
"It's funny, tragic, sexy and disturbing," said Chun. "It's about themes of immigrant life, of what it's like to be a Jew in the 30s, making your way in the world." Jenkins was delighted to be tackling something out of his comfort zone, he said: "It's all unified, written in the same voice. Each chapter is part of larger story."
All four filmmakers are seeking material that gratifies them as much as their break-out features; trying to get this risky project going excites them. The Eisner estate approved of the film, which is currently seeking financing. Executive producers are comic book veteran Bob Schreck and ex-Starz programming chief Michael Ruggiero. Tommy Oliver will co-produce and Mark Rabinowitz will associate produce.