Click to Skip Ad
Closing in...
Jason Segel Takes On David Foster Wallace in Controversial 'End of the Tour' (VIDEO) Jason Segel Takes On David Foster Wallace in Controversial 'End of the Tour' (VIDEO) Troubled Western 'Jane Got a Gun' Rescued as Relativity Files for Bankruptcy (Updated) Troubled Western 'Jane Got a Gun' Rescued as Relativity Files for Bankruptcy (Updated) Read Martin Scorsese's Column on His Favorite Hollywood Leading Ladies Read Martin Scorsese's Column on His Favorite Hollywood Leading Ladies A Woman in Charge: Warner Bros. Names Sue Kroll Head of Global Distribution A Woman in Charge: Warner Bros. Names Sue Kroll Head of Global Distribution 'The Witch' Won't Open Until 2016, But Its Sundance-Winning Director Has a New Film 'The Witch' Won't Open Until 2016, But Its Sundance-Winning Director Has a New Film Charles Aidikoff Screening Room Shutters: End of an Era for LA Critics? Charles Aidikoff Screening Room Shutters: End of an Era for LA Critics? How HBO's 'Ballers' Fails Sports Fans How HBO's 'Ballers' Fails Sports Fans Michael Moore Reveals Stealth NSA Project 'Where to Invade Next' on Periscope Michael Moore Reveals Stealth NSA Project 'Where to Invade Next' on Periscope Showtime Chief on David Lynch's 'Twin Peaks' Revival: "It's His Show" Showtime Chief on David Lynch's 'Twin Peaks' Revival: "It's His Show" Toronto Film Festival Lineup: What Did They Get? Toronto Film Festival Lineup: What Did They Get? Discover the Brothers Quay, Identical Twin Animators Who Inspired Christopher Nolan Discover the Brothers Quay, Identical Twin Animators Who Inspired Christopher Nolan Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) Top 10 Takeaways: Holdover 'Ant-Man' Tops Blah Week, Summer Slot for 'Southpaw' Pays Off Top 10 Takeaways: Holdover 'Ant-Man' Tops Blah Week, Summer Slot for 'Southpaw' Pays Off Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Congrats to Monica Bellucci: She's Making History Congrats to Monica Bellucci: She's Making History Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991 Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991

Inglourious Basterds: Tarantino Adds One Minute, Thinks Prequel

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood July 9, 2009 at 8:07AM

Quentin Tarantino comes back to Michael Fleming with details on his final cut of Inglourious Basterds--one minute longer, or 2:32 including end credits--reminds that he had final cut up to 2:48, admits he listened to Universal's David Linde and TWC's Harvey Weinstein, who are both under pressure to deliver hits, but took his own course. As he told me in Cannes, he added a scene with the Brit soldiers played by Michael Fassbender and Mike Myers before the sequence at La Louisiane. He's not worried about adult films pulling audiences, and cites Public Enemies' strong opening as a positive sign. (Let's see the second weekend drop.) And Tarantino is seriously considering doing a Basterds prequel, with support from Brad Pitt. (That will require that audiences do show up to see the World War II flick, which has an unusual promo partner for a smart-house movie, Ultimate Fighting Championship.)
0

Ingloriousbastards1_lg

Quentin Tarantino comes back to Michael Fleming with details on his final cut of Inglourious Basterds--one minute longer, or 2:32 including end credits--reminds that he had final cut up to 2:48, admits he listened to Universal's David Linde and TWC's Harvey Weinstein, who are both under pressure to deliver hits, but took his own course. As he told me in Cannes, he added a scene with the Brit soldiers played by Michael Fassbender and Mike Myers before the sequence at La Louisiane. He's not worried about adult films pulling audiences, and cites Public Enemies' strong opening as a positive sign. (Let's see the second weekend drop.) And Tarantino is seriously considering doing a Basterds prequel, with support from Brad Pitt. (That will require that audiences do show up to see the World War II flick, which has an unusual promo partner for a smart-house movie, Ultimate Fighting Championship.)


BFD: Both The Weinstein Co. and Universal need hits. How much pressure did you feel to maximize your film's commercial potential?

Tarantino: Yeah, the guys are anxious about it, and I can see where that is coming from. But the movie is the movie. They read the script, they knew what they were getting into. From time to time, we’d be talking and I’d say, I hear what you’re saying, but I’m not going to make the movie any differently than I wrote it. It might sound weird that I added a minute, but you can add little things and actually quicken the pace, and we were very aware of keeping the pace up. To add the one scene, I reduced a couple scenes by a line here, a line there. I’d talk to the Weinsteins, and Universal, and they’d say, “This sequence is running a little long.” I’d say, I don’t think I can take more than maybe one line out of there, and they’d say, that’s fine. Then you have to find that one line. It’s cosmetic surgery. Harvey wanted me to add more music, he asked me to go through my music collection again and just find a couple more pieces. So, I found four cues, and one of them is the main theme from the Jack Cardiff movie "Dark of the Sun," which I'd always wanted to use.


Original

If in fact Harvey Weinstein (pictured here in twin Sun Valley AP photos looking more stressed this year, right, than last year, left) is seeking debt aid from John Malone at the Allen conference, I question why the ruthlessly conservative businessman would dip his feet into troubled indie distrib waters when he already has Overture on his books. Some kind of merger of the two companies might be an interesting option, but Overture's Chris McGurk worked with the Weinsteins at Disney. There is no love lost there.

This article is related to: In Production, Independents, Directors, Quentin Tarantino, Weinsteins


E-Mail Updates








Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.