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Iron Man 2 Reviews Are Mixed But It Won't Matter

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood April 27, 2010 at 11:34AM

Thank God for Mickey Rourke.
2
Thompson on Hollywood

Thank God for Mickey Rourke.

As tattooed Russian physicist Ivan Vanko, Rourke single-handedly saves Iron Man 2, because he is as dangerous and threatening to Iron Man as The Joker was to Batman, and almost as implacable. And yet we like him.

The advance word was right. Iron Man 2 is about the villains. Sam Rockwell is slimy, hateful arms dealer Justin Hammer, and we share Vanko's contempt for him, while enjoying Rockwell's delight in entertaining us. He's fun.

Thompson on Hollywood

Less so are Robert Downey, Jr. as billionaire Tony Stark/Iron Man and the silent but deadly Scarlett Johansson. But I must say the women get short shrift here, as Gwenyth Paltrow's thankless Pepper Potts is a humorless school marm squeezed into skinny suits. Potts and Stark have no chemistry at all this time, because he's made her his boss while he fights to fix the toxic timebomb in the middle of his chest. Downey's playing with the dichotomy between Stark the powerful public figure cum super hero going up against the establishment, and the lonely human desperately trying to save his own life. It's like Superman and kryptonite; have director Jon Favreau and writer Justin Theroux made Iron Man too vulnerable?

Thompson on Hollywood

While Favreau is a stylish director who keeps things moving, Iron Man 2 suffers from too many characters crowding for space in a ridiculously deluxe universe (another reason why Vanko and his mechanic's dirty fingers are a relief). It feels as though the new entrants, including Don Cheadle as Lt. Col. James Rhodey, worked hard to own their characters, while the rest of the ensemble was in retread mode. The entire subplot involving Johansson and Nick Fury (Sam Jackson) is a muddled set-up for the next installment. Unlike the last film, which was as tightly wound as a perfect clock, this movie spirals in too many directions at once.

But guess what? Critics won't make a dent in this E-ride entertainment. (Of course, Harry Knowles loves it.) Even if this Iron Man isn't as good as the last one, it's plenty good enough. And it's a lot better than the crap Hollywod has been shoveling out lately. It will still be the blockbuster to beat this summer. But bring on Toy Story 3. It has a shot. And I can't wait to see what Rourke does with Ghenghis Khan.

This article is related to: Directors, Franchises, Genres, Headliners, Studios, Reviews, Jon Favreau, Iron Man, Comics, Action, Robert Downey, Jr. , Paramount/Vantage/Insurge/CBS


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.