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Iron Man First Look

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood May 1, 2009 at 6:25AM

Iron Man was a huge winner. So while Marvel is still in charge of the sequel--and didn't hand the reins back to director Jon Favreau until he jumped through some hoops--I can't wait to see what he does to "deepen the chroma," as they say in Hollywood. In other words, a blockbuster brings the leeway to go even further in the right direction. Take it too far and you can get in trouble. Three weeks into production, USA Today's Scott Bowles talks to Favreau.
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Iron Man was a huge winner. So while Marvel is still in charge of the sequel--and didn't hand the reins back to director Jon Favreau until he jumped through some hoops--I can't wait to see what he does to "deepen the chroma," as they say in Hollywood. In other words, a blockbuster brings the leeway to go even further in the right direction. Take it too far and you can get in trouble. Three weeks into production, USA Today's Scott Bowles talks to Favreau.


Tony Stark is out of the superhero closet, and it's no picnic.

The sequel to last summer's blockbuster, which began shooting three weeks ago and opens May 7, 2010, takes place six months after Stark revealed his identity as Iron Man, says director Jon Favreau. And the development is playing out with unexpected results. "How many superheroes are open about their true identities?" he asks. "We wanted to play with that idea. But it obviously has consequences — in his relationships, on the team. There are a lot of areas we can explore."



This article is related to: Franchises, Genres, Headliners, Video, First Look, Iron Man, Sci-fi, Action, Robert Downey, Jr. , Trailers


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.