
"This is an outrage," asserts one festival programmer, who thinks that Marco Bellocchio's Vincere, the story of Mussolini's secret lover and their son, would have made a better choice. (That film was selected by the trifecta of film fests in Telluride, Toronto and New York.) "Evidently political pressures forced the Italians to give it to Tonatorre's big budget bust. People who saw it in Venice couldn't believe how bad it was. The selection system needs to change."
Here's the lede of Variety's review:
Overblown in every sense, “Baaria,” Giuseppe Tornatore’s multi-decade evocation of life in the Sicilian town of Bagheria (“Baaria” in the local dialect) boasts large sets and extras by the thousands, but the vet helmer seems to have forgotten how to develop a scene, let alone a character. Awash in phony nostalgia, cheap sentimentalism and puffed-up orchestrations, the pic could lure in locals with an advertising blitz, but offshore prospects don’t look good.
2 Comments
Julia Pacetti | September 30, 2009 8:00 AM
I think Tornatore won the Oscar for Cinema Paradiso in 1990, not 1998, though it does seem like yesterday.
Andrea Navarria | September 29, 2009 10:58 AM
I do not agree with on epoint. I'm only a boy who lives in Catania, Sicily, just closed to Bagheria, where the film is set. I watched the movie and i simply think that in Italy we've never made some movie like Baarìa.
It is so beautiful, so realistic and so well represented that after you watch it you just want to watch it again, it's impossible forget all the characters of the movie, all the stories, it's impossible to stop thinking about the meaning of the movie, its significance, it's tribute to Sicily, love, dreaming, disillusion, melancony.
I just watched it and i want to see it again and again.
And the music by the Maestro Morricone is really wonderful like ever!
So i just think that the Anica commission chose the best they could have chosen.