Click to Skip Ad
Closing in...
Troubled Western 'Jane Got a Gun' Rescued as Relativity Files for Bankruptcy (Updated) Troubled Western 'Jane Got a Gun' Rescued as Relativity Files for Bankruptcy (Updated) 'The Witch' Won't Open Until 2016, But Its Sundance-Winning Director Has a New Film 'The Witch' Won't Open Until 2016, But Its Sundance-Winning Director Has a New Film Charles Aidikoff Screening Room Shutters: End of an Era for LA Critics? Charles Aidikoff Screening Room Shutters: End of an Era for LA Critics? How HBO's 'Ballers' Fails Sports Fans How HBO's 'Ballers' Fails Sports Fans Michael Moore Reveals Stealth NSA Project 'Where to Invade Next' on Periscope Michael Moore Reveals Stealth NSA Project 'Where to Invade Next' on Periscope Showtime Chief on David Lynch's 'Twin Peaks' Revival: "It's His Show" Showtime Chief on David Lynch's 'Twin Peaks' Revival: "It's His Show" Toronto Film Festival Lineup: What Did They Get? Toronto Film Festival Lineup: What Did They Get? Discover the Brothers Quay, Identical Twin Animators Who Inspired Christopher Nolan Discover the Brothers Quay, Identical Twin Animators Who Inspired Christopher Nolan Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) Top 10 Takeaways: Holdover 'Ant-Man' Tops Blah Week, Summer Slot for 'Southpaw' Pays Off Top 10 Takeaways: Holdover 'Ant-Man' Tops Blah Week, Summer Slot for 'Southpaw' Pays Off Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Scott Foundas Explains Why He's Leaving Film Criticism--Again--for Amazon Studios Scott Foundas Explains Why He's Leaving Film Criticism--Again--for Amazon Studios Congrats to Monica Bellucci: She's Making History Congrats to Monica Bellucci: She's Making History Watch: The Secret Ingredient to David Lynch's Disorienting Cinema Watch: The Secret Ingredient to David Lynch's Disorienting Cinema First Look: 'No' Director Pablo Larraín Channels 'Neruda' with Gael García Bernal First Look: 'No' Director Pablo Larraín Channels 'Neruda' with Gael García Bernal Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991 Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991

Johnny Depp Will Take The Stupid Money, Thanks--And Will Promo Rum Diary at Columbia, LACMA

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood October 4, 2011 at 4:15AM

Johnny Depp will take the money, thank you very much. “Basically, if they’re going to pay me the stupid money right now, I’m going to take it,” he tells Vanity Fair in their November issue. He's more flattered by compliments from Keith Richards on his singing in Sweeney Todd, and enjoys the "stimulation to the brain," but his paychecks (his Pirates franchise tally is in the $350 million range) are "for the kids" at this point. "It's ridiculous, yeah, yeah. But ultimately is it for me? No."
5
Thompson on Hollywood


Johnny Depp will take the money, thank you very much. “Basically, if they’re going to pay me the stupid money right now, I’m going to take it,” he tells Vanity Fair in their November issue. He's more flattered by compliments from Keith Richards on his singing in Sweeney Todd, and enjoys the "stimulation to the brain," but his paychecks (his Pirates franchise tally is in the $350 million range) are "for the kids" at this point. "It's ridiculous, yeah, yeah. But ultimately is it for me? No."

While Depp took a slight pay shave (along with director Gore Verbinski and producer Jerry Bruckheimer) to get would-be tentpole Lone Ranger made at Disney for $215 rather than $250 million (it should be half that to reasonably make its money back), he still has a nose for how to maintain his indie cred with such low-budget labors of love as The Rum Diary.

Thompson on Hollywood

On the PA tour for his latest channeling of boozehound Hunter S. Thompson, Depp is participating in such high-end appearances as a Columbia University Journalism School panel (October 25) with Alex Gibney (Depp narrated his Gonzo: The Life and Work of Hunter S. Thompson) and New Journalism writer and Thompson crony Tom Wolfe (The Electric Kool-Aid Acid Test) as well as kicking off Film Independent's LACMA film series October 13 with host Elvis Mitchell. FilmDistrict pitched the idea, knowing that Depp and Mitchell were old buds. Such starry relationships lured LACMA chief Michael Govan to give Mitchell that job. But what message is LACMA sending about its standards when they open their vaunted new series with a weak movie that has been sitting on the shelf for years and skipped major fall fests just to land a movie star?

See also: The Daily's Zach Brown revisits Thompson's 1971 "Fear and Loathing in Las Vegas" Rolling Stone piece (as well as the town), chasing "Thompson’s ghost through crazy desert car races, a dying local economy and a massive and menacing hacker convention known as DEFCON." Here is parts one and two; three and four.

This article is related to: Box Office, Headliners, Celebs, Media, Johnny Depp


E-Mail Updates








Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.