Click to Skip Ad
Closing in...
Ranking the 5 Best Editing Oscar Nominees Ranking the 5 Best Editing Oscar Nominees Kristen Stewart Is First American Actress Nominated for César Awards in 30 Years; 'Saint Laurent' Leads with Ten Kristen Stewart Is First American Actress Nominated for César Awards in 30 Years; 'Saint Laurent' Leads with Ten How They Sustained the Times Square Momentum in 'Birdman' VIDEO How They Sustained the Times Square Momentum in 'Birdman' VIDEO 6 Things to Know About Sexy Sundance Breakout 'Diary of a Teenage Girl,' Part of Sundance's Women's New Wave 6 Things to Know About Sexy Sundance Breakout 'Diary of a Teenage Girl,' Part of Sundance's Women's New Wave Sundance Raves About Ewan McGregor as Jesus and the Devil in 'Last Days in the Desert' Sundance Raves About Ewan McGregor as Jesus and the Devil in 'Last Days in the Desert' Oscar Loves Diseases and Disorders: 6 Contenders and the Hard Truths They Don't (or Do) Ignore Oscar Loves Diseases and Disorders: 6 Contenders and the Hard Truths They Don't (or Do) Ignore Watch: Jason Segel on Playing David Foster Wallace in Sundance's 'End of the Tour' (Exclusive Interview) Watch: Jason Segel on Playing David Foster Wallace in Sundance's 'End of the Tour' (Exclusive Interview) Filmmakers, Give Us Your Numbers! Sundance and Cinereach Unveil The Transparency Project Filmmakers, Give Us Your Numbers! Sundance and Cinereach Unveil The Transparency Project Sundance Market Explodes with 'Me and Earl and the Dying Girl' and 'Diary of a Teenage Girl' Sundance Market Explodes with 'Me and Earl and the Dying Girl' and 'Diary of a Teenage Girl' Screen Actors Guild Awards: 'Birdman' Takes Ensemble, Julianne Moore and Eddie Redmayne Win Leads Screen Actors Guild Awards: 'Birdman' Takes Ensemble, Julianne Moore and Eddie Redmayne Win Leads Top Ten Takeaways: Polarizing 'American Sniper' Speeds Past $200 Million; Lopez Trounces Depp Top Ten Takeaways: Polarizing 'American Sniper' Speeds Past $200 Million; Lopez Trounces Depp Arthouse Audit: Panic Time? 'Mommy,' 'Red Army,' 'Black Sea,' 'Cake,' 'Duke of Burgundy' All Disappoint Arthouse Audit: Panic Time? 'Mommy,' 'Red Army,' 'Black Sea,' 'Cake,' 'Duke of Burgundy' All Disappoint 2015 PGA Winners: 'Birdman' Steals 'Boyhood''s Awards Season Thunder 2015 PGA Winners: 'Birdman' Steals 'Boyhood''s Awards Season Thunder Watch: Nicole Kidman Talks 'Strangerland' at Sundance (Exclusive Video Interview) Watch: Nicole Kidman Talks 'Strangerland' at Sundance (Exclusive Video Interview) Sundance Acquisitions Market Heats Up with 'The Bronze' and 
'The Witch' Sundance Acquisitions Market Heats Up with 'The Bronze' and 'The Witch' Sundance: 5 Things to Expect From Alex Gibney's Damning Scientology Doc 'Going Clear' Sundance: 5 Things to Expect From Alex Gibney's Damning Scientology Doc 'Going Clear' Watch: Meet the Women of 'Birdman' (Exclusive 4-Minute Featurette) Watch: Meet the Women of 'Birdman' (Exclusive 4-Minute Featurette) Watch: Hitchcock's Thwarted Holocaust Documentary Comes to HBO Watch: Hitchcock's Thwarted Holocaust Documentary Comes to HBO Best Actor Oscar Predictions 2015 UPDATED Best Actor Oscar Predictions 2015 UPDATED Oscar Predictions 2015 Oscar Predictions 2015

Antonioni's Stark Portrait of Haute-Bourgeois Boredom and Betrayal 'La Notte' Lives Again on Criterion Blu-Ray

Photo of Ryan Lattanzio By Ryan Lattanzio | TOH! October 31, 2013 at 2:56PM

Could a film like "La Notte" ever exist today? What would it look like? Released in 1961, Michelangelo Antonioni's visually sleek modernist masterpiece features two international stars of considerable pedigree -- Marcello Mastroianni and Jeanne Moreau -- who talk, and also don't talk, about the undetectable meanings of life and love.
1
'La Notte'
'La Notte'

Could a film like "La Notte" ever exist today? What would it look like?

Released in 1961, Michelangelo Antonioni's visually sleek modernist masterpiece features two international stars of considerable pedigree -- Marcello Mastroianni and Jeanne Moreau -- who talk, and also don't talk, about the undetectable meanings of life and love.

This side of "La Notte," the closest a film comes to such a surgically precise picture of marital breakdown is "Eyes Wide Shut" (1999) by Stanley Kubrick, who loved "La Notte." And like "Eyes Wide Shut," "LA Notte" is a dreamy nighttime odyssey that drives apart a husband and wife as they hurtle toward something awful and inevitable, only to bring them together again in a closing moment of possible reconciliation. But when Giovanni (Mastroianni) and Lidia (Moreau) embrace like wild dogs at the end of "La Notte," there may be reconciliation, but no hope.

While Giovanni, a novelist, is enjoying the success of his new book, his wife Lidia begins to confront the fact that he probably doesn't love her anymore and that their marriage is over, just not over. As Giovanni rubs elbows with European intellectuals and ravages their lavish praise, Lidia drifts into numb despair, wandering through the streets of Milan and into Antonioni's bourgeois wasteland.

In her 1963 essay "The Sick-Soul-of-Europe Parties," a diatribe against European art house cinema, Pauline Kael understood "La Notte"'s introversion as emptiness. "La Notte is supposed to be a study in the failure of communication, but what new perceptions of this problem do we get by watching people on the screen who can't communicate if we are never given any insight into what they would have to say if they could talk to each other?"

Point taken, Pauline. Lydia and Giovanni don't fully and honestly communicate with each other until the film's very last scene, and even then it occurs through the recitation of a letter Giovanni does not remember writing. There is a glass plate between them (often literally). 

This article is related to: Reviews, DVD / Blu-Ray, Blu-ray, La Notte, Criterion Collection, Michelangelo Antonioni


E-Mail Updates