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LA Film Critics Anoint Mo'Nique, Waltz, Up in the Air Screenplay in First Round of Voting

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood December 13, 2009 at 8:33AM

The Los Angeles Film Critics Association has awarded Mo'Nique the best supporting actress prize for Precious, and Chistoph Waltz (Inglourious Basterds) best supporting actor in their first round of voting. Jason Reitman won best screenplay for Up in the Air. Winners so far are on the jump.
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Thompson on Hollywood

The Los Angeles Film Critics Association has awarded Mo'Nique the best supporting actress prize for Precious, and Chistoph Waltz (Inglourious Basterds) best supporting actor in their first round of voting. Jason Reitman won best screenplay for Up in the Air. Winners so far are on the jump.

SUPPORTING ACTRESS: Mo'Nique, "Precious"

Runner-up: Anna Kendrick, "Up in the Air"

SUPPORTING ACTOR: Christoph Waltz, "Inglourious Basterds"

Runner-up: Peter Capaldi, "In the Loop"

SCREENPLAY: Jason Reitman and Sheldon Turner, “Up in the Air”

Runner-up: Jesse Armstrong, Simon Blackwell, Armando Iannucci and Tony Roche, "In the Loop"

DOCUMENTARY/NON-FICTION FILM: "The Beaches of Agnès" and "The Cove" (tie)

DOUGLAS E. EDWARDS INDEPENDENT/EXPERIMENTAL FILM/VIDEO: C.W. Winter and Anders Edstrom, "The Anchorage"

MUSIC/SCORE: T-Bone Burnett and Stephen Bruton, "Crazy Heart"

Runner-up: Alexandre Desplat, "Fantastic Mr. Fox"

PRODUCTION DESIGN: Philip Ivey, "District 9"

Runner-up: Rick Carter and Robert Stromberg, "Avatar"

CINEMATOGRAPHY: Christian Berger, "The White Ribbon"

Runner-up: Barry Ackroyd, "The Hurt Locker"


This article is related to: Awards, Stuck In Love, Critics


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.