Fact is, a generation of film critics is leaving their chosen profession, some earlier than they intended. (More on recent media transitions, including Time Warner and EW, here.) I will miss Schwarzbaum's sharp writing, which did much to set EW's bright and breezy house style, as well as seeing her at Sundance's Eccles Theatre as part of a troika with fellow critics Manohla Dargis and Amy Taubin. The February 15 issue of the magazine published Schwarzbaum's eloquent goodbye; she wrote that her experience of engaging with the EW readership over two decades was "A+." Excerpts are below.
The piece can be read in its entirety here.
On the good responses to her film criticism:
I once received an effing cool email from Josh Brolin telling me, and I quote, “You can f—ing write!” and promising to be in my movie. Not that I have any plans whatsoever to write a screenplay.
And the bad:
The pissed-off wife of a wildly successful producer of high-octane action schlock once sent me a popcorn bucket filled with stones because…well, I’m not sure why, something about throwing stones at her husband’s work. Anyway, she wanted to remind me that, while her beloved’s pictures rake in billions, my stuff would be gone in 60 seconds.
On grading a film:
Grades, stars, thumbs, and assorted icons are inevitably crude, if handy, quantifiers of quality—they’re shorthand, attention-getting invitations to the party. Once we’ve both shown up, though, let’s have a good time pondering both the complexities of Django Unchained and the simplicities of A Good Day to Die Hard.
On the film reader's mission:
Your mission is to read with an open mind, watch movies with an open mind, and use the places where we diverge as inspiration for an ongoing conversation about this ever-changing medium we love together.
My plans include a book, an online project, speaking engagements about popular culture—oh, and a dog!