Click to Skip Ad
Closing in...
Toronto Film Festival Lineup: What Did They Get? Toronto Film Festival Lineup: What Did They Get? Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Scott Foundas Explains Why He's Leaving Film Criticism--Again--for Amazon Studios Scott Foundas Explains Why He's Leaving Film Criticism--Again--for Amazon Studios Congrats to Monica Bellucci: She's Making History Congrats to Monica Bellucci: She's Making History Broad Green Dates 'Knight of Cups' and Two More Releases Broad Green Dates 'Knight of Cups' and Two More Releases Watch: The Secret Ingredient to David Lynch's Disorienting Cinema Watch: The Secret Ingredient to David Lynch's Disorienting Cinema First Look: 'No' Director Pablo Larraín Channels 'Neruda' with Gael García Bernal First Look: 'No' Director Pablo Larraín Channels 'Neruda' with Gael García Bernal Is 'The Revenant' the Most Hellish Shoot of All Time? Is 'The Revenant' the Most Hellish Shoot of All Time? Broad Green Enters Long-Term Home Video Deal with Universal for Burgeoning Slate Broad Green Enters Long-Term Home Video Deal with Universal for Burgeoning Slate Gabriel García Márquez Documentary Coming Soon (Trailer) Gabriel García Márquez Documentary Coming Soon (Trailer) Watch 'SPECTRE' Trailer: James Bond Meets the Author of His Pain Watch 'SPECTRE' Trailer: James Bond Meets the Author of His Pain 'BoJack Horseman,' 'Rick and Morty,' and Our Love/Hate Relationship with TV 'BoJack Horseman,' 'Rick and Morty,' and Our Love/Hate Relationship with TV Why I Can't Wait to See 'Crimson Peak,' Guillermo del Toro's Sumptuous Period Thriller (VIDEO) Why I Can't Wait to See 'Crimson Peak,' Guillermo del Toro's Sumptuous Period Thriller (VIDEO) First Look at Julianne Moore and Ellen Page as a Gay Couple in 'Freeheld' First Look at Julianne Moore and Ellen Page as a Gay Couple in 'Freeheld' Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991 Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991

Live at Oscars: Strangers No More Wins Doc Short, God of Love Wins Live Short, Inside Job Wins

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood February 28, 2011 at 3:14AM

"Three years after a horrific financial crisis, not a single financial executive has gone to jail and that is wrong," says Charles Ferguson as he accepts the Oscar for Inside Job. The front-runner won over upstart Exit Through the Gift Shop, depriving Oscar watchers of seeing who would accept the award for Banksy. This is a case of gravitas winning out over a more whimsical film about art. Gift Shop likely benefited from the Brit street artist's graffiti postings in the weeks before the Oscars, which were well-covered by the media, but probably was hurt by Banksy's interview proxy, the wacky subject of his movie, Mr. Brainwash. If anything the movie that was moving up on the outside was Lucy Walker's Waste Land, another movie about art.
0
Thompson on Hollywood

"Three years after a horrific financial crisis, not a single financial executive has gone to jail and that is wrong," says Charles Ferguson as he accepts the Oscar for Inside Job. The front-runner won over upstart Exit Through the Gift Shop, depriving Oscar watchers of seeing who would accept the award for Banksy. This is a case of gravitas winning out over a more whimsical film about art. Gift Shop likely benefited from the Brit street artist's graffiti postings in the weeks before the Oscars, which were well-covered by the media, but probably was hurt by Banksy's interview proxy, the wacky subject of his movie, Mr. Brainwash. If anything the movie that was moving up on the outside was Lucy Walker's Waste Land, another movie about art.

The short films often make or break Oscar pools. While I called Australia's animated The Lost Thing, my favorite of the shorts, I did not predict NYU grad film God of Love, which won best live-action short. This is one of those cases where I should have listened to what people told me they liked, instead of my own taste. Franco calls out NYU--one of several colleges he has attended. With the doc short Strangers No More, a lovely film about an Isreali school taking care of refugees, I thought it might win, but instead went for The Warriors of Quingang, about a Chinese village fighting against chemical polluters. It was a toss-up. Strangers No More, the glossier, more well-produced and emotionally moving film, took the day.

This article is related to: Awards, Genres, Oscars, Documentaries, Animation, Shorts


E-Mail Updates








Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.