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Locarno Fest's Retrospective Will Screen Director Otto Preminger's Entire Body of Work

Thompson on Hollywood By Sophia Savage | Thompson on Hollywood January 12, 2012 at 5:16PM

The Locarno Film Festival (August 1-11) will partner with the Swiss and French Cinémathèques for its 2012 retrospective, devoted to Austrian-Hungarian director Otto Preminger ("Laura" [1944], "Anatomy of a Murder" [1959], "Porgy and Bess" [1959]). Preminger's entire body of work - forty films - will be screened in 35mm prints along with fest discussions with filmmakers, actors and critics. The retrospective's curator, Carlo Chatrian, will also hold a roundtable discussion open to fest attendees. Capricci will publish French and English versions of a book on Preminger, and the screenings will be repeated by each of the Cinémathèques in the fall.
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Laura
Otto Preminger's 1944 "Laura"

The Locarno Film Festival (August 1-11) will partner with the Swiss and French Cinémathèques for its 2012 retrospective, devoted to Austrian-Hungarian director Otto Preminger ("Laura" [1944], "Anatomy of a Murder" [1959], "Porgy and Bess" [1959]). Preminger's entire body of work - forty films - will be screened in 35mm prints along with fest discussions with filmmakers, actors and critics. The retrospective's curator, Carlo Chatrian, will also hold a roundtable discussion open to fest attendees. Capricci will publish French and English versions of a book on Preminger, and the screenings will be repeated by each of the Cinémathèques in the fall.

Locarno artistic director Olivier Père says Preminger's work "appears to be the peak of classicism, and is built on balance and a feel for brilliant composition as well as storytelling, that encompasses both individual destinies and history, violence and restraint, a cold intelligence and emotion, lofty scepticism and humanism."

Laura poster

This article is related to: Classics, Festivals, Directors, Foreign


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.