By Ryan Lattanzio | Indiewire January 10, 2014 at 2:36PM
Academy ballots have been signed, sealed and delivered. What to see over the next few days to quell your anticipation for the Oscar nominations on Wednesday? Indies galore, two robust expansions and a big-budget bomb await your eyeballs in theaters this weekend.
Spike Jonze didn't land a DGA nomination this week for his earnest and uncynical sci-fi romance "Her," but don't count this one out of the races. Starring Joaquin Phoenix as a lonely greeting card scribe who falls for his operating system (Scarlett Johansson), the critics' darling nabbed both WGA and PGA nominations. Though warmer and more accessible than his brainy "Being John Malkovich" or "Adaptation," Jonze is as punk and provocative as ever, setting this believable cyber romance in a not-too-distant-future neo-Los Angeles -- artfully designed by KK Barrett from pieces of LA and Shanghai -- with indie musicians Arcade Fire and Owen Pallett supplying the score. Not since "Blade Runner" has the City of Angels -- here, a City of Angles -- looked so cinematic and alive. And it befits Jonze to write the sweet, sad and personal screenplay himself.
Adrift in a ruthless sea of baity contenders -- but clicking with audiences throughout its smartly devised platform release -- is Peter Berg's harrowing, unmissable wartime thriller "Lone Survivor," now playing everywhere. Based on the failed 2005 Navy SEAL mission to capture or kill Taliban leader Ahmad Shahd, the film's tough authenticity and hardened performances from ace cast members Mark Wahlberg, Emile Hirsch, Ben Foster and Eric Bana steer "Lone Survivor" clear of any US military grandstanding. Berg fought hard to keep his film real.
January is the cruelest month for new wide releases. Look no further than "The Legend of Hercules," a CGI-laden spectacle of swordplaying hunks, chiseled pectorals and Ancient Greco-machismo. From director Renny Harlin, the man behind that 1999 treasure of trash "Deep Blue Sea," comes this mythology retread starring a cast of pretty, "charisma-impaired" unknowns as demigods dueling over forbidden love to prove their limping manhoods. Based on the uniformly disparaging reviews, which don't even promise a so-bad-it's-good experience, it's best to sit this iteration of "Hercules" out.
Critics love feel-good "The Rocket," Australia's submission for the foreign language Oscar. And though Kim Mordaunt's lush parable a la "Beasts of the Southern Wild" didn't make the shortlist, the film has been steadily acclaimed since its 2013 Berlinale premiere and award-winning play at Tribeca. "The Rocket" stars newcomer Sitthiphon Disamoe as a quixotic and scrappy young boy who leads his family through war-torn Laos in search of a new home.
Another would-be foreign language Oscar contender, Georgia's "In Bloom" centers on two adolescent girls bristling against the rigid class system and gender politics of capital city Tbilisi in 1992. When one of the best friends, Natia (Mariam Bukaria) is swept off into an arranged marriage, Eka (Lika Babluani) must reconcile deep-seated feelings for her estranged and imprisoned father. "In Bloom" picked up praise at Berlinale, Karlovy Vary and AFI Fest for its strong performances and keen criticism of a still-reigning patriarchy.
Meanwhile, SXSW hit "Loves Her Gun" also hits select cities and VOD platforms. It stars indie starlet Trieste Kelly Dunn as an unemployed drifter on the run to Austin from New York, where she was brutally attacked. Quickly, she finds herself drawn into Texas gun culture, going from victim to attacker in this mumblecore mood piece, which has mixed reviews from critics but good word-of-mouth out of the 2013 festival circuit.
Trailers, Tomatometer scores and film info after the jump: