Click to Skip Ad
Closing in...
Berlin Review: Could 'War on Everyone' Be the Best Bad Cop Comedy Ever? Berlin Review: Could 'War on Everyone' Be the Best Bad Cop Comedy Ever? Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Oscars: Evaluating the Best Costume Design Nominees Oscars: Evaluating the Best Costume Design Nominees Oscar Predictions 2016 Oscar Predictions 2016 Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) A Letter to Michael B. Jordan A Letter to Michael B. Jordan Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More Inside the Oscar Nominees Lunch Inside the Oscar Nominees Lunch How John Ridley and Company Create the Emotional Resonance of 'American Crime' How John Ridley and Company Create the Emotional Resonance of 'American Crime' Top 10 Takeaways:  'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million Top 10 Takeaways: 'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Inside the Directors Guild Awards Inside the Directors Guild Awards Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt? What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt?

Cotillard and Schoenaerts Talk the Mystery of Audiard's 'Rust and Bone' [EXCLUSIVE VIDEO]

Thompson on Hollywood By Sophia Savage | Thompson on Hollywood November 6, 2012 at 11:43AM

"Rust and Bone" is the first film that Marion Cotillard has carried on her shoulders since playing Edith Piaf. But her supporting roles --in Michael Mann's "Public Enemies," Christopher Nolan's "Inception" and "The Dark Knight Rises," Rob Marshall's "Nine," never failed to steal the show.
3
Rust & Bone's Audiard, Cotillard, Schoenaerts
Rust & Bone's Audiard, Cotillard, Schoenaerts

"Rust and Bone" is the first film that Marion Cotillard has carried on her shoulders since playing Edith Piaf. But her supporting roles --in Michael Mann's "Public Enemies," Christopher Nolan's "Inception" and "The Dark Knight Rises," Rob Marshall's "Nine," never failed to steal the show.

"I traveled a lot of amazing directors' visions," says Cotillard in her raspy, exquisite broken English, of the supporting parts she's played since her Oscar-winning role in "La Vie En Rose." (She could earn her second for Jacques Audiard's "Rust and Bone.") "And I had an amazing time, but I needed to tell the story of a character. And when I read Jacques' script, that was more than what I thought I would get."

When Audiard approached Cotillard with the role, she was "more than thrilled; I was out of my mind!" She had long wanted to work with the director of the Oscar-nominated 2009 film "A Prophet," and the experience was "even better than what I had expected."

Rust & Bone

Cotillard's whale trainer in "Rust in Bone" is not only responding to a debilitating accident but an unexpected person who enters her life. Ali ("Bullhead" star Matthias Schoenaerts) "is the only person who sees her as a human being in the most simple way," she says. "He doesn't see her as a woman [in the beginning]; that's what she's going to teach him. But he's very straightforward, he's rough and raw."

Her role was not immediately clear to Cotillard; to the end she intentionally never solved that mystery. Audiard assured her: "We'll have to find her." Cotillard says, "I felt that we could take so many different directions. I liked the fact that I didn't really know where I was going, but I was looking forward to taking the road to meeting her."

During the film, Cotillard takes the journey as she embodies this complex woman. Cotillard drew on people she knows to find her, from two girls she knew in high school to Schoenaerts. "When I create a character I am always inspired by people--people around me, people I don't know, lives that I've read."

This article is related to: Rust and Bone, Marion Cotillard, Jacques Audiard, AFI, Oscars, Interviews, Interviews


E-Mail Updates






Festivals on TOH



Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.