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Marshall McLuhan Lives

Photo of Jacob Combs By Jacob Combs | Thompson on Hollywood July 11, 2011 at 1:28AM

If you never studied Marshall McLuhan in school, you probably know him from his infamous cameo in Annie Hall, when Woody Allen pulls him out from behind a signpost to shame a fellow moviegoer who has been pontificating on McLuhan's theories (below).
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Thompson on Hollywood


If you never studied Marshall McLuhan in school, you probably know him from his infamous cameo in Annie Hall, when Woody Allen pulls him out from behind a signpost to shame a fellow moviegoer who has been pontificating on McLuhan's theories (below).

It's been a hundred years since McLuhan, a Canadian philosopher of media and communications theory, was born. In honor of this centennial, a group of his devotees called the McLuhan Legacy Network (MLN), are marking this 100th birthday with their first ever week-long festival, called "Connecting the Visible with the Invisible."

Despite its seemingly airy-fairy name, the festival's main focus is in fact the impact of McLuhan's theories on modern media. Although he wrote his most influential works in the 1950s and 60s, McLuhan's most famous theory involved his idea that "the medium is the message," a concept in which the way that information is transmitted is seen as equally important to the information itself.

Not surprisingly, the MLN festival, which will be held in Toronto from July 18-24, will include a focus on film and television. For the month of July, the Canadian Broadcasting Centre will present a program of rare films from its archives as an introduction to McLuhan's work. The Toronto subway will also feature a video art piece called "Underground Tarot."

Other festival events include a talk on technology's role in mediating modern life, the significance of the growth in mobile and tablet computing, and the ongoing transformation of the publishing world from books to electronic media.

This article is related to: Directors, Festivals, Media, Woody Allen


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.