Click to Skip Ad
Closing in...
Berlin Review: Could 'War on Everyone' Be the Best Bad Cop Comedy Ever? Berlin Review: Could 'War on Everyone' Be the Best Bad Cop Comedy Ever? Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Oscars: Evaluating the Best Costume Design Nominees Oscars: Evaluating the Best Costume Design Nominees Oscar Predictions 2016 Oscar Predictions 2016 Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) A Letter to Michael B. Jordan A Letter to Michael B. Jordan Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More Inside the Oscar Nominees Lunch Inside the Oscar Nominees Lunch How John Ridley and Company Create the Emotional Resonance of 'American Crime' How John Ridley and Company Create the Emotional Resonance of 'American Crime' Top 10 Takeaways:  'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million Top 10 Takeaways: 'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Inside the Directors Guild Awards Inside the Directors Guild Awards Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt? What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt?

McGurk and Rosett Are Out at Overture

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood July 1, 2010 at 12:51PM

Another indie bites the dust. At a time of serious contraction in the indie market, Overture Films has been on the block since January.
1
Thompson on Hollywood

Another indie bites the dust. At a time of serious contraction in the indie market, Overture Films has been on the block since January.

The Chris McGurk/Danny Rosett era is now over. Since April 1, John Malone's Liberty Media had been examining two bids to buy the company, including the Gores brothers (who also bid for Miramax), but no movement was forthcoming on the possible sale of Overture and Starz Media.

Overture CEO McGurk and COO Rosett couldn't buy or make anything, and had three films set for fall release, with no communication from above about the level of their marketing spends. They would have committed $50 million, but that might not have played with new Starz CEO Chris Albrecht. Now marketing chief Peter Adee will run the show and presumably put through minimal campaigns on the films, which the company is contractually obligated to release. McGurk and Rosett, frozen since January, finally gave their resignations to Albrecht on Thursday. (Variety broke the story.) "I want to thank Chris and Danny for their dedication and hard work in building the studio from the ground up," stated Albrecht, "and wish them well in their future business endeavors."

The trailer for Let Me In (below) got some positive feedback on the web this week. The horror remake looked to be the most commercially robust of the trio, which had been sitting in limbo since January. More specialized fare includes John Curran’s Stone, starring Robert DeNiro and Edward Norton, and Philip Seymour Hoffman’s directorial debut Jack Goes Boating, which did not light any fires at Sundance.

McGurk had lined up a list of buyers for Overture and Starz Media, but got no answer from Malone. Over two and a half years the company released sixteen films, and while they weren't highly profitable, the company was in the black; the last four films--Brooklyn's Finest, The Crazies, Men Who Stare at Goats and Law Abiding Citizen-- earned $50 million in profit. But earlier disappointments included Henry Poole is Here, Paper Heart and Sleepwalking. And Anchor Bay had released on a smaller scale both City Island and Solitary Man.

But this was not a business that Malone wanted to be in. McGurk and Rosett are now free to look elsewhere.

Let Me In trailer:

This article is related to: Independents, News, Overture


E-Mail Updates






Festivals on TOH



Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.