Click to Skip Ad
Closing in...
Toronto Film Festival Lineup: What Did They Get? Toronto Film Festival Lineup: What Did They Get? Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Scott Foundas Explains Why He's Leaving Film Criticism--Again--for Amazon Studios Scott Foundas Explains Why He's Leaving Film Criticism--Again--for Amazon Studios Congrats to Monica Bellucci: She's Making History Congrats to Monica Bellucci: She's Making History Broad Green Dates 'Knight of Cups' and Two More Releases Broad Green Dates 'Knight of Cups' and Two More Releases Watch: The Secret Ingredient to David Lynch's Disorienting Cinema Watch: The Secret Ingredient to David Lynch's Disorienting Cinema First Look: 'No' Director Pablo Larraín Channels 'Neruda' with Gael García Bernal First Look: 'No' Director Pablo Larraín Channels 'Neruda' with Gael García Bernal Is 'The Revenant' the Most Hellish Shoot of All Time? Is 'The Revenant' the Most Hellish Shoot of All Time? Broad Green Enters Long-Term Home Video Deal with Universal for Burgeoning Slate Broad Green Enters Long-Term Home Video Deal with Universal for Burgeoning Slate Gabriel García Márquez Documentary Coming Soon (Trailer) Gabriel García Márquez Documentary Coming Soon (Trailer) Watch 'SPECTRE' Trailer: James Bond Meets the Author of His Pain Watch 'SPECTRE' Trailer: James Bond Meets the Author of His Pain 'BoJack Horseman,' 'Rick and Morty,' and Our Love/Hate Relationship with TV 'BoJack Horseman,' 'Rick and Morty,' and Our Love/Hate Relationship with TV Why I Can't Wait to See 'Crimson Peak,' Guillermo del Toro's Sumptuous Period Thriller (VIDEO) Why I Can't Wait to See 'Crimson Peak,' Guillermo del Toro's Sumptuous Period Thriller (VIDEO) First Look at Julianne Moore and Ellen Page as a Gay Couple in 'Freeheld' First Look at Julianne Moore and Ellen Page as a Gay Couple in 'Freeheld' Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991 Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991

Mel Gibson Talks Return to Directing, Shia LaBeouf, Vikings at Karlovy Vary (EXCLUSIVE VIDEO)

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood July 8, 2014 at 1:26PM

Mel Gibson talks returning to directing and the price of being a movie star at Karlovy Vary (EXCLUSIVE VIDEO).
29
Mel Gibson
Getty Mel Gibson

Mel Gibson came to Karlovy Vary to accept the festival's life achievement award. He welcomed some 3000 cheering fans at an outdoor screening of "Mad Max," the film that made him a star, and gave a Master Class to another packed theater. Clearly, they still love him in the Czech Republic, even if he is still getting the cold shoulder from much of Hollywood.

We sat down for a twenty minute talk on the flipcam. He's funny, humble, candid and honest about what the downside of being a movie star can be. Clearly, Gibson could borrow a page from Ben Affleck, who redeemed the bomb "Gigli" and tabloid overexposure with Jennifer Lopez by building a career as a respected director--and eventual Oscar-winner. Clearly Gibson could build more good will --after a series of hideous PR setbacks, not improved by Gary Oldman's Playboy interview defense of him --by reminding people what a good director he is, even as he continues to support his fan base with B-movies like "Blood Father," "Machete Kills" and "Get the Gringo," which he wrote and produced.

I pressed Gibson a bit on why he doesn't go ahead and self-finance another directing effort. He has dug in his heels about not doing that. While his non-stop action film "Apocalypto," which his "Mad Max" director George Miller wants to outdo on "Fury Road," didn't make money, his modestly budgeted $30-million "The Passion of the Christ" made him millions. No, Gibson wants decent budgets from the studios or from foreign sales pre-buys, he says.

But Hollywood no longer goes for period adventures like "Braveheart," his Best Picture and Director Oscar-winner. Luckily, Gibson is still involved with foreign sales company Icon, and he is willing to talk to the cable companies, who may be more receptive to his Viking and Maccabee projects. 

And like Harrison Ford before him, Gibson was easily talked into starring in "Expendables 3" by the seductive Sly Stallone. He says he had a blast doing it. Video below. 

This article is related to: Mel Gibson, Mel Gibson, Video, indieWIRE Video, Interviews, Interviews, Karlovy Vary International Film Festival, Festivals


E-Mail Updates








Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.