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Michael Moore Finally Makes His Post-Aurora Case

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood July 25, 2012 at 1:13AM

When Michael Moore is uncharacteristically quiet--in the face of the Aurora, Colorado atrocity that plays right into his America-is-violent wheelhouse, the subject of his 2002 Oscar-winning doc "Bowling for Columbine"--you know he's up to something. So it was just a matter of days before he came up with what he was writing.
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2. We are an easily frightened people and it is easy to manipulate us with fear. What are we so afraid of that we need to have 300 million guns in our homes? Who do we think is going to hurt us? Why are most of these guns in white suburban and rural homes? Maybe we should fix our race problem and our poverty problem (again, #1 in the industrialized world) and then maybe there would be fewer frustrated, frightened, angry people reaching for the gun in the drawer. Maybe we would take better care of each other (here's a good example of what I mean).

Those are my thoughts about Aurora and the violent country I am a citizen of. Like I said, I spelled it all out here if you'd like to watch it or share it for free with others. All we're lacking here, my friends, is the courage and the resolve. I'm in if you are.

Yours,
Michael Moore
MMFlint@MichaelMoore.com
@MMFlint
MichaelMoore.com
 

This article is related to: Michael Moore, Michael Moore, Documentary, Documentaries


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.