Click to Skip Ad
Closing in...
Berlin Review: Could 'War on Everyone' Be the Best Bad Cop Comedy Ever? Berlin Review: Could 'War on Everyone' Be the Best Bad Cop Comedy Ever? Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Oscar Predictions 2016 Oscar Predictions 2016 Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) A Letter to Michael B. Jordan A Letter to Michael B. Jordan Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More Inside the Oscar Nominees Lunch Inside the Oscar Nominees Lunch How John Ridley and Company Create the Emotional Resonance of 'American Crime' How John Ridley and Company Create the Emotional Resonance of 'American Crime' Top 10 Takeaways:  'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million Top 10 Takeaways: 'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Inside the Directors Guild Awards Inside the Directors Guild Awards Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' How Quentin Tarantino Resurrected Ultra Panavision 70 for 'The Hateful Eight' How Quentin Tarantino Resurrected Ultra Panavision 70 for 'The Hateful Eight' What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt? What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt?

Michael Feinstein's American Songbook Debuts This Fall on PBS

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood June 17, 2010 at 8:01AM

Classics crooner Michael Feinstein will make legions of music lovers happy this fall when he premieres a three-part series exploring the history of American popular music. The American Songbook will air October 6, 13 and 20 at 8 PM on PBS. This is my idea of heaven.
1
Thompson on Hollywood

Classics crooner Michael Feinstein will make legions of music lovers happy this fall when he premieres a three-part series exploring the history of American popular music. The American Songbook will air October 6, 13 and 20 at 8 PM on PBS. This is my idea of heaven.

The preservationist and pianist will perform many of the love songs, pop standards and show tunes made famous by the likes of Frank Sinatra, Rosemary Clooney, Nat King Cole, Ethel Waters, and Margaret Whiting, as well as showing clips of classic soundtracks and dance numbers. He'll also dig into the great songwriters George and Ira Gershwin, Cole Porter, Irving Berlin, and Rodgers and Hart.

Produced and directed by Amber Edwards of Hudson West Productions, the show will take a road trip through the history of American song as viewers accompany Feinstein on-stage and behind-the-scenes as he interprets the standards, talks to songwriters and entertainers, and pursues his quest to find and preserve rare American music. The series follows him as he rifles though basements, attics and flea markets in search of musical treasure.

In the show, Feinstein says:

“When I first moved to Los Angeles, I discovered that movie studios would throw away archives, music publishers would get rid of old arrangements, manuscripts would be discarded, and complete orchestrations for shows would be tossed out.  Our musical heritage was literally disappearing because people didn’t understand it was valuable to save it.”

Episode Synopses


Episode One, Putting On the Tailfins, focuses on the 1950s and 1960s, when the Great American Songbook competed with new forms like rock ‘n’ roll, and rhythm & blues.  As Feinstein crisscrosses the country performing with big bands, symphony orchestras and jazz combos, viewers learn how iconic singers like Frank Sinatra, Nat King Cole and Rosemary Clooney kept the Songbook alive by reinventing pop standards of the 1930s and 1940s.
Episode Two, Best Band in the Land, examines how popular songs provided emotional solace and patriotic inspiration during World War II.  While preparing an original patriotic song, Michael weaves in the history of 1940s big bands, USO shows, V-disks, war bond rallies, and the powerful role popular music played in boosting morale.
Episode Three, A New Step Every Day, explores the fast and furious 1920s and 1930s, when jazz was hot, credit was loose, and illegal booze flowed freely in underground speakeasies.  Between performances, Feinstein illustrates the impact of talking pictures, the dawn of radio, and the fledgling recording industry. Additionally, it introduces viewers to other collectors and musicians who keep the spirit of the Jazz Age alive today.


 

This article is related to: Genres, News, TV, Production , Musical, Sound and Score


E-Mail Updates






Festivals on TOH



Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.