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'Mirror Mirror' Early Review and Round-Up: Leave Princess Fairy Tales to Disney

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood March 29, 2012 at 4:29PM

"Mirror Mirror" means a lot to producer/distributor Relativity Media, which needs hits in order to survive. That's why the $60-million PG flick is aimed so squarely at a mainstream family audience. Visually, it looks like a movie directed by Tarsem Singh ("The Immortals"), but it doesn't feel like one. The movie will play young. Very young.

Roger Moore:

"If only they'd put more 'Heigh Ho' into the script, found more funny things for Nathan Lane (the queen's aide) to say and do. If only Roberts had had the guts to play mean (This is an image-obsessed movie star pulling her punches.). If only they'd found a Snow White with some spark to her. 'Mirror Mirror' leaves us with those 'if onlys,' and reminds us that the original incantation missed the big point. Casting 'the fairest of them all' can't save you from a heroine as dull as her character's name."


"Somewhere between the pitch meeting and the movie's opening, this sadly earthbound fairy tale lost its happy ending. 'Mirror Mirror' is minor minor,..Part of 'Mirror’'s problem is that the screenplay, credited to two writers and with a third getting a story credit, is all over the place. At times, it seems that the movie is a satire about anxiety over aging, as the Queen frets over who’s the fairest in the land. But it also hints at a political agenda, as when the villagers are told that the onerous taxes collected by the Queen are being used to keep them safe, and at being about feminism, as when Snow White and the Prince battle for the upper hand while bickering or crossing swords."

This article is related to: Relativity Media, Reviews, Reviews, Critics, Trailers

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Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.