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Mother's Day Pick: 'Whip It'

Thompson on Hollywood By Carrie Rickey | Thompson on Hollywood May 13, 2012 at 6:29PM

You might not think of "Whip It!" Drew Barrymore’s debut feature about roller-derby babes, those hellions-on-wheels who dare guys to ogle them, as an ideal choice for Mother’s Day, but I hereby nominate Shauna Cross’ coming-of-age story as the best mother/daughter picture of the past decade.
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'Whip It'
'Whip It'

You might not think of "Whip It!" Drew Barrymore’s debut feature about roller-derby babes, those hellions-on-wheels who dare guys to ogle them, as an ideal choice for Mother’s Day, but I hereby nominate Shauna Cross’ coming-of-age story as the best mother/daughter picture of the past decade.

It has two mother/child relationships, the central one between Texas teenager Bliss Cavendar (Ellen Page), a tomboy ambivalent about the attempts of her mother (Marcia Gay Harden), to push her into the beauty pageant world, and a subsidiary one between derby chick Maggie Mayhem (Kristen Wiig), a single mom with a young son.

More intimately than most in Hollywood, Barrymore knows how few female types there are on screen. Beyond the good girl and the bad girl (movie versions of the madonna and the whore), there are millions of square pegs. Barrymore puts faces and gives backstories to these nonconformists trying to define themselves before others define them. The chief appeal of the film is to watch Bliss, misfit among angelic pageant girls, emerge as derby devil Babe Ruthless – sensitive, combative, girly, butch, timid, and fearless – whisking conflicting femininities into one tasty serving.

Read the rest of the review here.

This article is related to: Reviews, Reviews


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.