The next question will be who will host the Oscars? Music man Hugh Jackman (with "Les Miserables" to promote) is our fondest hope. But Zadan and Meron are tight with Bette Midler, who starred in TV's "Gypsy," as well as Oscar host Whoopi Goldberg ("Cinderella"). Possible presenters they could tap include "Hairspray" stars John Travolta, Michele Pfeiffer, James Marsden and Chris Walken, "Chicago" stars Rene Zellweger, Catherine Zeta-Jones and Richard Gere, and "Footloose" lead Julianne Hough.
Much like their "Chicago" collaborator Bill Condon, who produced my favorite recent Oscar show in 2009 with Laurence Mark, we can count on Zadan and Meron to deliver a great musical show, which will mark a refreshing change indeed. "When we filmed ‘The Bucket List,’ we made our own personal bucket list," the producers said, "and producing the Oscars was #1. It’s truly a great honor."
When New Line Cinema released Adam Shankman's $70-million musical "Hairspray" in 2007, I interviewed Zadan and Meron for Variety. As kids, Zadan and Meron grew up in the New York area adoring Broadway musicals. Zadan's journalism career, including a stint at New York magazine, led him to write the 1974 Stephen Sondheim biography "Sondheim & Company," which led to his first producing gig, 1973's "Sondheim: A Musical Tribute."
At Brooklyn College, Meron studied acting and booked a lecture series; Zadan was one of his guests. Meron started out as Zadan's assistant; during the '70s, they worked for Joseph Papp's New York Shakespeare Festival and eventually became producing partners at Storyline Entertainment.
Zadan's first Hollywood film was Paramount's 1984 soundtrack musical "Footloose," written by Dean Pitchford, who wrote it like a real musical, with each song fitting each character. "Footloose" coincided with the breakout of MTV musicvideos. Suddenly a new way of marketing movies was born. The bestselling "Footloose" soundtrack spawned six Top 40 singles.
When no studio would touch a remake of "Gypsy," Zadan and Meron pitched their concept to Jeff Sagansky, then president of CBS. "Get me a movie superstar who doesn't do TV," he told them. They asked the biggest star they knew, Bette Midler, who was at the height of her movie fame. But she didn't want to do TV. Zadan and Meron convinced her that doing 'Gypsy' was a once-in-a-lifetime opportunity. The 1993 three-hour musical delivered both boffo reviews and robust ratings.
The duo also reached a wide demo with the highly rated 1997 ABC movie "Cinderella," starring a multiethnic cast led by Victor Garber, Whoopi Goldberg, Whitney Houston and Brandy.
Impressed by "Cinderella" choreographer Rob Marshall, who had also just co-directed "Cabaret" on Broadway, Zadan and Meron asked him to direct their TV remake of "Annie" as his first feature. When the network resisted, Zadan and Meron refused to hire anyone else. Marshall had to turn down choreographing an early iteration of the "Chicago" movie to direct "Annie" for television.
He won the Emmy, and launched a movie career.
By then, Miramax Films' Harvey Weinstein had spent 10 years interviewing directors and going through rewrites on a planned movie version of "Chicago," with little to show for it. But after watching "Annie" with his kids, he asked Marshall to meet with him about another musical adaptation, "Rent." At the meeting, the director hit him with his take on "Chicago" and Weinstein was sold. Marshall brought in Zadan and Meron as his producers. They all spoke the same language.