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Music Box Releases E.R. Doc 'Code Black' on DVD and VOD (TRAILER)

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood November 6, 2014 at 5:02PM

A buzzy title that scooped up the Best Documentary prize at both last year’s Los Angeles and Hamptons International film fests, “Code Black” is an intense doctor's eye view of our medical system in crisis. Music Box is releasing the doc awards contender on DVD and VOD in North America.
"Code Black"
"Code Black"

A buzzy title that scooped up the Best Documentary prize at both last year’s Los Angeles and Hamptons International film fests, “Code Black” has been acquired by Music Box just as we hit awards season. The eligible doc Oscar contender will be released on DVD and VOD in North America on February 24, 2015.

Music Box is also releasing social issue doc contenders "Watcher of the Sky," "Happy Valley" and "We Are the Giant." And as always, the distributor has several competitive foreign Oscar submissions: Pawel Pawlikowski’s "Ida" (Poland), Dominik Graf’s "Beloved Sisters" (Germany) and Shlomi and Ronit Elkabetz’s "Gett: The Trial of Viviane Amsalem" (Israel).  

Watch the trailer for "Code Black" below.

The film, directed by recovered lymphoma patient and resident Ryan McGarry, follows a team of young ER doctors during the hectic transition from the 1930 sprawling LA County General + USC Medical Center hospital to the fancy new upgrade. Aside from the acute stresses of the emergency room--where teams learn to function under duress to save lives--or not--once these doctors move to modern facilities, they are also swamped with paperwork, rules and regulations, all on a piece of land where, as one of the film's subjects says, "more people have died than any other location in the United States... [yet] more people have been saved than in any other square footage in the United States."

County General was the first hospital to set up an Emergency Room. The core of the ER is C-Booth, a 20 x 25 trauma bay with three beds where the most traumatic critical patients are rushed --in shock from a gun wound, poisoned, unable to breathe, or under cardiac arrest. We see amazing footage of a doctor placing a chest tube within 30 seconds. "It scares the hell out of you," says one of the senior residents who run the place. "You have to work hard, and there's no excuse." 

Resident Jamie Eng turned to emergency medicine because she would rather engage in hands-on interactions with patients to end their suffering than create reams of data in a research lab. "To heal someone and make them feel better," she says, "it's no matter if they're rich or poor." 

For one doctor, the ER gave him a chance to "be the best you can be, no shirking your responsibility, you knew at the end of the day you had done your best." 

This nail-biter is a fascinating companion piece to "The Waiting Room." Check out the “Code Black” website here.

This article is related to: Trailers, Trailers, Documentary, Documentaries

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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.