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'Network' Meets the Future, as Olbermann Takes on Itzkoff

Photo of John Anderson By John Anderson | Thompson on Hollywood February 20, 2014 at 3:44PM

On Sunday, New York Times culture writer Dave Itzkoff will be interviewed at New York’s Museum of the Moving Image about his hot-off-the-presses (-and-tablet-download) “Mad As Hell: The Making of ‘Network’ and the Fateful Vision of the Angriest Man in Movies,” about the baroque construction project that was the Sidney Lumet classic of 1976, based on Paddy Chayefsky’s dystopian vision of what the TV news business was going to become, and largely has.
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Peter Finch in 'Network'
Peter Finch in 'Network'
Sidney Lumet's 'Network'
Sidney Lumet's 'Network'

On Sunday, New York Times culture writer Dave Itzkoff will be interviewed at New York’s Museum of the Moving Image about his hot-off-the-presses (-and-tablet-download) “Mad As Hell: The Making of ‘Network’ and the Fateful Vision of the Angriest Man in Movies,” about the baroque construction project that was the Sidney Lumet classic of 1976, based on Paddy Chayefsky’s dystopian vision of what the TV news business was going to become, and largely has. So is it 1) curious, 2) ironic, 3) fitting, 4) all of the above that his interlocutor should be Keith Olbermann?

“Keith was one of the really generous supporters of the book, and he’s a huge fan of the movie,” Itzkoff said of the former MSNBC and Current TV political commentator, now doing sports on ESPN2. “I think he could recite the script verbatim.”

Itzkoff, whose book project was spawned by a story he wrote and a couple years ago for the Sunday NYTimes and the access he was given to the Chayefsky papers held at the New York Public Library, said he had been less interested in the predictive powers of the movie – which won Academy Awards for Chayefsky, Faye Dunaway and Beatrice Straight and a posthumous Best Actor Oscar for Peter Finch – than the “fascinating tale” behind its production, which seems to be one of those classic Hollywood tales about everything not going wrong.

Olbermann, who often seemed like a justifiably mad prophet on his old MSNBC show (though never without a certain facetious tongue-in-cheek) even did the occasional Howard Beale homage (“I’m as mad as hell, and I'm not going to take this anymore”) so the Itzkoff-Olbermann matchup Sunday should be a sell-out. Olbermann contributed to the book’s last section, titled “It’s All Going to Happen,” as did a number of TV luminaries, including Bill O’Reilly, whom Itzkoff credits with one of the franker assessments of the current state of news.

“His argument is an indictment of the TV audience,” said the author, “who are willing to be led to wherever the TV decides to lead them.” We would pay major money to see a cage match between Olbermann and O’Reilly, but Olbermann-Itzkoff sounds pretty exciting.


This article is related to: Television, Television, TV, TV News, TV Interviews, Books


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.