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Cannes: James Toback Talks 'Seduced and Abandoned,' ... -
Critics’ Choice Television Award Nominations ... -
'Only God Forgives': Gosling No-Show at Cannes, ... -
Cannes Review Roundup: Robert Redford Keeps ... -
Now and Then: Obituary for 'The Big C,' Starring ...
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Boston's Best Dennis Lehane Adapts Beach-Bum ... -
Cannes Fest Diary: Le Weekend, from Compelling ... -
Interview: Brit Marling Writes and Toplines ... -
Review: Rama Burshtein's Luminous 'Fill the ... -
Cannes Review: Douglas and Damon Shine in ...
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Cannes Review: James Franco's 'As I Lay ... -
Cannes Film Fest Diary 3: Seduced by 'The ... -
Three Weddings Before a Bunch of Funerals: ... -
Cannes: Asghar Farhadi Talks Fest Favorite ... -
Cannes First Look: Paul Haggis Talks 'Third ...
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Cannes Review: 'Inside Llewyn Davis' Is Vintage ... -
Arthouse Audit: 'Frances Ha' Debuts Strong ... -
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ACLU to 'Modern Family': Let Cam and Mitch ... -
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Cannes Fest Diary 2: Dull Coppola, Brilliant ...
Cannes Interview: David Lowery Talks 'Ain't ...
Talking 'Star Trek Into Darkness' VFX
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Q & A: How Willimon Runs Fincher's 'House ...New Film Critics Aggregator Challenges Rotten Tomatoes
Never rest on your laurels. When something is working, something new and improved comes along. While many of my pals prefer critics' aggregator Metacritic, which is leaner, more elegant, pickier and more pure than the mighty but messier, more inclusive and more crowded Rotten Tomatoes, there's a new kid in town: Movie Review Intelligence. It claims to add more weight to powerful critics like Roger Ebert, and boasts cool search functions (studio, genre etc), but my initial read on this is that it's designed to be studio (read advertiser) friendly.
Both the NYT and LAT use the arrival of this new aggregator to assess the niche and function of critics' sites.
I've written about this a lot. Truth is, lots of people look at the consensus, not the individual critics who are necessary to build the consensus. But many people do read the critics on these aggregator sites.
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