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Thompson on Hollywood

Sucker Punch Early Reviews: Feminists, Choose Your Weapons

Sucker Punch Early Reviews: Feminists, Choose Your Weapons
Judging from early reviews (below), if Warner Bros. has any hopes of luring a female audience to Sucker Punch, they may be in trouble. It looks like plenty of red-blooded American males will soak up the latest hyper-stylized entry from writer-director Zack Snyder (300, The Watchmen) which critics are variously describing as "spastic," "humorless" and "psychosexual." TOH will weigh in tomorrow. (Check out the trailer below.) The film stars Emily Browning, Abbie Cornish, Jenna Malone, Vanessa Hudgens, Jamie Chung, and Carla Gugino.
  • By Sophia Savage
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  • March 24, 2011 4:40 AM
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  • 11 Comments

Weekly Wrap: Hunger Games, SXSW Interviews, Actresses Directing & Producing, Japan, Taxi Driver

Weekly Wrap: Hunger Games, SXSW Interviews, Actresses Directing & Producing, Japan, Taxi Driver
PRODUCTION & DEVELOPMENT
  • By Anne Thompson and Sophia Savage
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  • March 18, 2011 9:26 AM
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  • 1 Comment

Weekend Preview: Limitless, Paul, Lincoln Lawyer For Men, Indies Win Win, Cracks, Winter in Wartime

This weekend, it's Matthew McConaughey and a car vs. Working Title's alien vs. Bradley Cooper on super-human drugs. According to Flixster Forecast: "The Lincoln Lawyer, the first adaptation of a Michael Connelly novel since Clint Eastwood’s Blood Work in 2002, surged in search activity leading into this weekend. Given that its Want-to-See interest is almost entirely centered with women-over-25, the film will probably have to build a strong case to beat out Britcom Paul, opening on more screens; or Bradley Cooper and Robert De Niro in Limitless, which is seeing intense Want-to-See interest that is closer to the middle."
  • By Sophia Savage
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  • March 18, 2011 5:35 AM
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  • 0 Comments

SXSW: Greg Mottola Talks Paul's Pegg, Frost and Spielberg; Early Reviews

SXSW: Greg Mottola Talks Paul's Pegg, Frost and Spielberg; Early Reviews
Here's what you need to know about Paul (March 18): It's a Working Title movie, which means that it's smart, tailored to intelligent audiences, and has a British sensibility. Co-writers Simon Pegg and Nick Frost (Shaun of the Dead) dreamed up this light fan boy comedy, went on an American research road trip, and lacking their director of choice, Edgar Wright, they turned to Greg Mottola (Superbad and Adventureland), who has been earning mainstream cred as a director of sharp and funny comedies that do not suck.
  • By Anne Thompson
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  • March 17, 2011 8:18 AM
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  • 1 Comment

The Hunger Games Chases Franchise Gold with Indie Darling Jennifer Lawrence: Details

Moving swiftly from indie breakout to star of a major Hollywood franchise, Jennifer Lawrence has landed The Hunger Games.
  • By Sophia Savage
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  • March 17, 2011 7:51 AM
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  • 1 Comment

Japan's Earthquake Aftermath Hits Markets, Impacts Hollywood Releases, Disney Pledges Aid (UPDATE)

[Image: Courtesy of CNN: A statue stands among debris in Natori, Miyagi Prefecture, on Monday]
  • By Anne Thompson and Sophia Savage
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  • March 15, 2011 8:29 AM
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  • 1 Comment

Weekend Box Office: Battle: Los Angeles Grabs Men; Red Riding Hood is Soft

[Pictured: Red Riding Hood, Battle: Los Angeles, Jane Eyre]The action blockbuster trumped the tween fairy tale at the weekend box office, while Jane Eyre scored the best specialty opening of the year (see indieWIRE). Anthony D'Alessandro reports. Film details, reviews and trailers are below.A disaster film showed some fireworks at the weekend box office but not enough to make up for the damage many distributors have endured this year. Sony’s sci-fi invasion title Battle: Los Angeles easily secured $36 million at 3,417 theaters, showing that old tricks still work. Despite the gripes that this year has been plagued by bad movies and that the younger audience remains bored, Battle: Los Angeles, which is equal parts District 9 and 2012, proves that the masses are still suckers for formula.  The film is a win on several fronts: first, it’s a cheap mini-tentpole at $70 million. Second it’s critic-proof, bucking its 32% rotten rating for respective A and A- Cinemascores among the under 18-ers and under 25ers. Lastly, Battle: Los Angeles bested its $35 million estimate. I Am Number Four was projected to win No. 1 over the Feb. 18-20 frame, Hall Pass beat Gnomeo and Juliet in its opening and Rango was estimated to post $50-$70 million during its first sesh. 
  • By Anthony D'Alessandro
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  • March 13, 2011 7:23 AM
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  • 1 Comment

Weekly Wrap: Jane Eyre Interviews, Western Revivals, Guide to Fairy Tales, Miral, Fandor, Finke

- Deadline Update: Why HBO Turned Down Keaton’s Tilda, Finke vs. Academy and The Wrap.
  • By Anne Thompson and Sophia Savage
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  • March 11, 2011 8:40 AM
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  • 0 Comments

Battle: Los Angeles, Jane Eyre, Red Riding Hood, Certified Copy, Mars Needs Moms, Black Death

[Pictured: Red Riding Hood, Battle: Los Angeles, Jane Eyre]There is something for everyone this weekend. If you are somehow still in the mood for mass destruction, despite the tragedy that has befallen Japan, check out Battle: Los Angeles. More interested in classic love stories? Jane Eyre is Sin Nombre director Cary Fukunaga's smart retelling of Charlotte Bronte's gothic novel; Abbas Kiarostami's Certified Copy offers a complex investigation of originality, value and love ripe for post-screening debate. Red Riding Hood and Mars Needs Moms should keep younger audiences entertained for a few hours. Indies Black Death and Kill the Irishman provide ample violence and machismo. Film details, reviews and trailers are below.
  • By Sophia Savage
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  • March 11, 2011 8:30 AM
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  • 0 Comments

Red Riding Hood Reviews: "Snoozy Lulluby," "Hokum at Best," "Generic," "Moon-faced and Dumb"

Red Riding Hood Reviews: "Snoozy Lulluby," "Hokum at Best," "Generic," "Moon-faced and Dumb"
IndieWIRE's Caryn James says that Red Riding Hood makes Twilight look good. You've been warned. Below, a round-up of reviews on Catherine Hardwicke's reinterpretation of the classic fairy tale, which has been told in various forms since the 14th century. This latest retelling didn't get the Disney PG treatment, nor does it have a male-friendly gothic-horror edge. It sits somewhere in-between: the femme teen zone. Check back Saturday for TOH's SXSW interview with Hardwicke. In the meantime, see what the critics are saying:
  • By Sophia Savage
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  • March 10, 2011 7:12 AM
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  • 4 Comments

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