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Underrated, Underdog and Misunderstood Films of 2010

Underrated, Underdog and Misunderstood Films of 2010
Who doesn't like an underdog? They're not asking to win the Oscar for Best Picture, but these under-appreciated films deserve to be seen by wider audiences than their box office numbers, critics or lack of awards talk would suggest. After the jump is a sampling of the worthy films singled out by The New York Times, The Atlantic, Moviefone, The Playlist and Associated Content. Our adds to your bucket list of films to watch when awards season is over (or now, if you're caught up) are:
  • By Sophia Savage
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  • January 4, 2011 9:20 AM
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  • 9 Comments

Anticipating the Best of 2011: Malick, Spielberg, Scorsese, Fincher and More Sequels

- With 2010's disappointments behind us, The Daily Beast looks forward to the best prospects of 2011. They include The Hangover Part !! and The Muppets as well as Terrence Malick's The Tree of LIfe, which will be the among the first on the list (May 27) to go head-to-head with its own expectation-building anticipation. It's also the only completely original story on the TDB list.
  • By Sophia Savage
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  • January 3, 2011 9:15 AM
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  • 1 Comment

Holiday Wrap: Weak Box Office, True Grit Takes on Little Fockers, Black Swan, King's Speech Score

The box office continued tepid during what should have been a robust holiday period with North American families on vacation; it was down 26 percent from last year. For the year, the 2010 3-D-pumped domestic box office totaled $10.5 billion, down 0.3 percent from 2009's Avatar-inflated record of $10.6 billion. But the attendance stat provides a sobering reality check: attendance was down a whopping 5 percent: 1.34 billion against 1.41 billion in 2009. 
  • By Anne Thompson
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  • January 2, 2011 6:22 AM
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  • 1 Comment

Lousy Christmas Weekend Box Office: Little Fockers Beats True Grit, Best Coens Opening Ever

At a horrendous Christmas weekend---which saw a 44% three-day drop in grosses over last year (flush with Avatar)---sequel comedy Little Fockers beat out adult western True Grit, the best--and widest--opening ever for a Coen brothers movie. It's likely that the well-reviewed oater will have longer legs, however, as it settles in for the long Oscar haul.
  • By Anne Thompson
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  • December 26, 2010 7:03 AM
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  • 5 Comments

How Ryan Kavanaugh Can Save the Movies

How Ryan Kavanaugh Can Save the Movies
Indie producer Cotty Chubb has a modest proposal for Relativity chief Ryan Kavanaugh that could save the movies. (Chubb wants the studios to be involved, which may be part of the problem.)The movie business is being strangled. For a professionally produced picture to succeed, it must be released theatrically. But not every movie is fit for 3,000 screens or appropriate only to educated adults, the twin poles of distribution today. And there is almost no middle ground.
  • By Cotty Chubb
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  • December 23, 2010 9:25 AM
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  • 27 Comments

WikiLeaks Reveal Bush Administration Attacks on Michael Moore

Michael Moore is nothing if not paranoid, but it looks like he has reason to be. When he reads through all the WikiLeaks cables, his own name crops up, more than once. It seems that the Bush administration was genuinely threatened by the damage that Moore's Fahrenheit 9/11 could do. But the more the White House tried to hurt the movie, the more it fueled its success, Moore writes. Another WikiLeaks Cable from the Bush Administration About My Movies ...a note from Michael Moore
  • By Anne Thompson
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  • December 23, 2010 6:45 AM
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  • 0 Comments

The Coens' History of Mustaches

Hailee Steinfeld holds her own against Jeff Bridges, Matt Damon and Josh Brolin in almost every category of True Grit's manliness, but she just can't compete in the mustache competition. NYMag calls Damon's 'stache a "spectacular, instantly iconic, old-timey mustache, which builds on the Coens' proud tradition of decorating their characters with some of the finest nose curtains in all of cinema." But even if his mustache surpasses Bridges' and Brolin's in this Western, he has competition from many Coens characters who preceed him. Check out NYMag's "Stach-o-Meter (which grades on a scale of Zorro to Gene Shalit)".
  • By Sophia Savage
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  • December 23, 2010 6:40 AM
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  • 0 Comments

Holiday Box Office Preview: True Grit vs. Little Fockers

Every year the studios dream of scooping up Christmas holiday sugar plums. Will they find them this season? Anthony D'Alessandro makes a fearless holiday box office forecast:What present do the majors want to open under the Christmas tree? A box office full of cash. "There’s no better time of year for adult moviegoing then the week between Christmas and New Year’s,” says Paramount distribution exec vp Don Harris. “Good movies play well to everybody. The play’s the thing.”
  • By Anthony D'Alessandro
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  • December 23, 2010 1:58 AM
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  • 2 Comments

Production Watch: Bale in Nanjing Heroes, Dark Knight Rises; Stone & Garfield In Spiderman(s)

- China's premiere director Zhang Yimou (Hero, the Beijing Olympic Games) has named Christian Bale to star in Nanjing Heroes. The $90 million period epic tells the story of the Nanjing Massacre, when Japanese troops killed thousands of Chinese in the capital city (1937). Bale will play an American priest who assists citizens in escaping impending death. Zhang also announced the hiring of special effects house Dark Side FX (The Dark Knight). The film will mix English and Mandarin (40/60), he said. No Chinese film or director has ever taken home an Academy Award in a major category. (Zhang himself had back-to-back Oscar nominations for Ju Dou in 1990 and Raise the Red Lantern in 1991.) "It's the overall strategy for Chinese cinema to approach the world and broaden its influence," Zhang told THR. The casting of Bale was not a box office ploy, but rather "a coincidence because the script happened to have an English-speaking part in the lead." Shooting Nanjing Heroes will begin shooting January 10. Bale will be due on The Dark Knight Rises set May 2011.
  • By Sophia Savage
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  • December 22, 2010 6:45 AM
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  • 0 Comments

What Went Wrong with Hollywood Romantic Comedies?

What Went Wrong with Hollywood Romantic Comedies?
What went wrong with the romantic comedy genre this year? Have the Hollywood studios lost the winning formula for pulling the date crowd? Anthony D'Alessandro lists five reasons why the rom-com has lost its mojo:Hollywood enjoyed a lovely honeymoon with romantic comedies in 2009 with such hits as The Proposal ($164 million) and It’s Complicated ($112.7 million). But this year, the genre has been nothing but a forgettable one-night stand at the domestic B.O. James L. Brooks’ $110 million Reese Witherspoon headliner How Do You Know is the latest rom-com in a long string to break its heels, opening to a tear-jerking $7.5 million. But Reese Witherspoon isn’t the only American Sweetheart with runs in her stockings: cover girls Jennifer Aniston, Anne Hathaway, Rachel McAdams and Katherine Heigl also lost face with fickle moviegoers.
  • By Anthony D'Alessandro
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  • December 21, 2010 8:49 AM
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  • 18 Comments

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