Against Crystal's spare, full-frontal declamation, the marketing of "pure luxury" through interpretive dance, in the unveiling of a new car at the North American International Auto Show, seems ridiculous and shallow and more than a little cruel. American Axle offers its workers steep wage cuts or else unemployment; the U.S. government's auto bailout requires unions to accept a 50% decrease in salary for new hires; the "downsizing" city promises first to limit bus routes and relocate residents. If Grady and Ewing hold out hope for opportunity in the crisis, they never relinquish their skepticism of corporate and bureaucratic policy, of the bed made by decades of neglect. Detroit, they tacitly assure us, will not come back only on the back of auto company profits, and neither will the country.
Maybe that's why I viewed "Detropia" (in spite of its dedication to the Detroiters who continue to rebuild the city even as I write) as a still-sad tale, in which tragedy hasn't become triumph quite yet. So, too, with this remarkable documentary's most indelible image, a wavering, crumbling façade — a single, many-storied wall — bending and twisting in the night wind. It's shaken out, burned, and full of holes, the flag of a forgotten country.
"Detropia" is available January 14 on iTunes, Amazon Video, YouTube, and other VOD platforms, and January 15 on DVD.