That could prove a double-edged sword, because while some critics are willing to praise its audacity, gothic melodrama "The Paperboy" is far from a crowdpleaser and may fall flat with sophisticated New York audiences. Millennium releases its own production on October 5, following its debut at Cannes, where the film earned mixed reviews.
In the film, Kidman gives a memorable, fearless performance as a boldly sexual woman infatuated with an incarcerated killer (John Cusack). While Daniels draws great performances out of his actors, the movie itself is as chaotic and messy as its swampy setting. Daniels added homosexuality to Matthew McConnaughey's character, turns the housekeeper (Macy Gray) into the narrator, and cast David Oyelowo as a fish-out-of-water journalist who was written in the original novel as white. At the Cannes press conference Kidman admitted that when she commits to a role she goes all the way, and in this case stayed in character on set. She created her own hair and makeup and assembled her provocative wardrobe out of her own closet. She's a trooper.
Richard Peña, Selection Committee Chair & Program Director of the Film Society of Lincoln Center, stated:
“Nicole Kidman is one of film's finest contemporary actresses. Since her breakthrough performance in TO DIE FOR and her bold and provocative appearances in Lars Von Trier's DOGVILLE, Stanley Kubrick's EYES WIDE SHUT, as well as her awarding-winning portrayal of Virginia Woolf in Stephen Daldry's THE HOURS, Kidman has insisted on finding roles that are complex, bold and demanding. We are excited to honor her with a tribute at the New York Film Festival.”
The Gala Tribute to Kidman will take place on Wednesday, October 3, and the Gala Tribute to Richard Peña will take place on Wednesday, October 10. It is fitting that the NYFF tribute Pena, who is leaving after 25 years of extraordinary service to the Festival. The Film Society of Lincoln Center executive director Rose Kuo has been moving deliberately--some say too slowly--to replace Pena, who leaves at year's end. She posted the NYFF job, described as "program director," someone working closely with the exec director, just before Cannes, and met with some prospective candidates on the Croisette. Kuo, who has programmed many fests including LA's AFI FEST, is looking to become more involved in the NYFF programming, which is picked by a rotating selection committee, especially the major opening, closing, and centerpiece slots. It will be fascinating to see who she brings in: someone powerful, or less established?
Kuo may want her own FSLC critic-programmer, ex-LA Weekly critic Scott Foundas, to get the job. Toronto's Noah Cowan, who programs the Bell Lightbox and used to have Cameron Bailey's TIFF director gig, is a strong candidate. Venice Film Fest programmer Giulia D'Agnolo Vallan might be ready to move up to a directing position. Another name that comes up is brainy frequent NYT contributor and Malaysia Film Fest programmer Dennis Lim, who has served on the NYFF selection committee, but may lack the showmanship required of a front-man for a major New York Festival. Respected Newsweek critic David Ansen, who is going strong programming the Los Angeles Film Festival, may be deemed too close to retirement age himself if the NYFF is looking for someone to put in another quarter century. NYT critic Manohla Dargis, Harvard's Haden Guest and Locarno's Olivier Pere are also in the hopper.
“It is very fitting that we celebrate the 50th birthday of the New York Film Festival by honoring the man who has guided the festival's artistic vision for the last 25 years. Richard Pena helped us discover directors like Pedro Almodovar, Abbas Kiarostami, Olivier Assayas, Lars Von Trier and Hou Hsiao-hsien, making an indelible contribution to film culture in New York CIty and around the world. We hope that his friends and colleagues will join us for a special evening to celebrate his achievements.”
Kidman and Pena bios are below.