Click to Skip Ad
Closing in...

Tina Fey Defends Seth MacFarlane's Hosting of the Oscars: "It's the hardest job there is"

Awards
by Anne Thompson and Sophia Savage
February 27, 2013 1:41 PM
4 Comments
  • |

Guardian:

"This has been quite a skittish and indecisive Oscar season, and fittingly it all culminated in quite a skittish and indecisive Oscar ceremony that seemed to spread the riches and threw in a few curveballs along the way."

Billboard:

"Here's to the losers," Oscars Seth MacFarlane sang in a closing number with singer/actress Kristin Chenoweth, an ode to nominees going home empty-handed after the three-and-a-half Academy Awards ceremony concluded on Sunday evening. Like so much of the night, it was not particularly funny, a bit awkward and, as music, underwhelming.

New York Post:

"MacFarlane was surprisingly calm and self-assured – considering that the Academy likes to say (unsubstantiated by the way) that a billion people watch the show. But all that calmness and self assuredness came off as annoying and even boring to the Twittering masses last night. Why? Probably because the show itself is now a boring and controlled fashion show punctuated by awards and horrible song-and-dance routines, so the host has to knock it out of the park to keep it interesting."

Los Angeles Times:

"Well, that didn't work. Despite the valiant efforts of Adele, Barbra Streisand and a surprisingly witty Daniel Day-Lewis, not to mention a last-minute surprise appearance by First Lady Michelle Obama as co-presenter of the best picture award, touted as the first Oscar telecast with a theme — a tribute to musical Hollywood — was long, self-indulgent and dull even by the show's time-honored dull-defining standards."

HitFix:

"A monologue that ran over 15 minutes — setting the stage for a show that ended more than a half hour past its allotted time — and was largely about the persona of the host and not the movies was not an auspicious start to a frequently messy, but occasionally surprising and/or entertaining evening. MacFarlane had some funny moments here and there (I actually liked the sock puppet gag, and thought his variation on the tired old "this next presenter needs no introduction" was clever, to name two), but he missed way more than he hit."

New York Times:

"The hedged-bets, have-it-all-ways ceremony made Sunday night’s one of the longer and most self-conscious Oscars imaginable. Even the music played to expel overly loquacious winners was arch: the theme of 'Jaws.' But it wasn’t the acceptance speeches that prolonged the night; there were too many stars doing fatuous presentations — even Melissa McCarthy wasn’t funny."

The New Yorker:

"As I watched the broadcast, I was bewildered by the seemingly oblivious indulgence in mind-numbing pageantry—but, in retrospect, I see it as a way (likely unconsciously motivated) of throwing up a screen of razzle-dazzle that distracts from the ideological hard core and makes the point of the evening appear to be nothing more than splashy, even raucous, entertainment,..I’ve long thought that the nudity of women in movies has often been used by producers as a sort of ugly rite of passage, a public refraction of the casting couch—but, rather than lampooning the industry potentates who pay for it and market it or, for that matter, the male voyeurism that they serve or the societal sexism that underlies the practice, MacFarlane seemed to be mocking and embarrassing the actresses themselves."

The New Yorker:

"There are many variations on misogyny, and MacFarlane by no means confined himself to a single one.  “Django Unchained,” he said, was “the story of a man fighting to get back his woman, who has been subjected to unthinkable violence. Or as Chris Brown and Rihanna call it, a date movie.” Relationships are complicated, and it can take a woman more than one attempt to leave an abuser. But if any woman who goes back is told that she has forfeited sympathy and can be written off with mockery—that the whole thing is now an amusing spectacle—then we’ll end up with more dead women. There are surely better things to joke about. Instead, we got a borderline anti-Semitic Teddy bear asking where the post-Oscars orgy would be. The answer was Jack Nicholson’s house; maybe not the same Jack Nicholson house where Roman Polanski raped a girl, but still, not funny,..What the women actually showed during the evening was that they worked a lot harder, and a lot smarter, than Seth MacFarlane."

Vulture:

"Seth MacFarlane made a whole bunch of sexist, reductive jokes at the Oscars last night. It's frustrating enough to know that 77 percent of Academy voters are male. Or to watch 30 men and 9 women collect awards last night. But MacFarlane's boob song, the needless sexualization of a little girl, and the relentless commentary about how women look reinforced, over and over, that women somehow don't belong. They matter only insofar as they are beautiful or naked, or preferably both. This wasn't an awards ceremony so much as a black-tie celebration of the straight white male gaze,..I dream of someday watching women win all the non-performance categories, of women making as many films as men do, of women and men being nominated for a comparable number of awards. There are a lot of reasons why that day is far, far in the future. But I'll tell you what's not helping: the biggest night in film being dedicated to alienating, excluding, and debasing women. Actual gender equality is a ways away, but I'd settle for one four-hour ceremony where women aren't being actively degraded."

Indiewire:

"The mess wasn't entirely MacFarlane's fault, though his stint fell so flat that when Ben Affleck came up to present an award, the actor/director made a wince-inducing crack about how maybe the host could still turn things around. MacFarlane's fratty humor relies on rapid churn, shock value and committed juvenilia, which made it a particularly odd fit for the event,..MacFarlane felt like the visiting creepy uncle who interrupts Thanksgiving dinner to tell obnoxious ethnic jokes no one finds funny, then spends the rest of the night hitting on his niece's high school-aged friend."

LATimes:

"Apparently aware of early verdicts of his performance, the TV-movie hyphenate managed to regroup after the awards broadcast at his own after-party, held at the West Hollywood venue the Lot. Announcing from a stage that he was drunk and singing a rendition of Frank Sinatra’s “I’ve Got You Under My Skin,” MacFarlane entreated guests not to judge him too harshly, referencing James Franco’s disastrous 2011 turn as Oscars host in the process."

The Carpetbagger:

"The debate raging loudest over Seth MacFarlane’s Oscar performance is whether it was unabashedly misogynistic or just pleasingly retrograde, like an old Playboy cartoon come to life,..many of the night’s most memorable moments – Adele, Shirley Bassey, Jennifer Hudson and Barbra Streisand performing; Quvenzhané Wallis’s natural self-confidence; anything with Jennifer Lawrence – involved women being unabashedly themselves, showing off their talents and the dedication and effort it took for them to achieve success. (And yes, they looked good doing it.)

"When the big reveal of the program is an appearance by Michelle Obama celebrating the diversity of cultural achievement, maybe it’s best to rethink the jokes about co-eds. Or at least make them funny."

Salon:

"And while the musical opener “We Saw Your Boobs” has been called immature (true) and sexist (also true) — it wasn’t just a harmless roundup of spicy movie scenes. Four of the films MacFarlane crooned about featured nudity during or immediately following violent depictions of rape and sexual assault, stripped of their context and played for laughs. Scarlett Johansson found herself on the list because of a real-life violation: Her nude photos were stolen from her phone and leaked online.

"Oh, your privacy was invaded and your breasts were splashed across the Internet against your will? That is hilarious!"

Jezebel:

"I am tired of trying to have an intellectual discussion about dog-whistle sexism in a culture where prominent politicians are still trying to grasp what rape is, and in a world where little girls are shot in the head because they want to go to school." 

"What are you supposed to do when someone asks you to "prove" that feminism isn't a massive conspiracy theory in a country where we've only had 39 female senators in the nation's entire history, and 20 of them are serving right now? What kind of a stupid fucking question is that?"

More: 9 Sexist Things That Happened at the Oscars, MacFarlane's seven worst jokes, Will He Host Again?

4 Comments

  • av | March 11, 2013 10:52 PMReply

    seth was great. the people who asked him to do it expected this. he's the creator of family guy .. what do you expect ?

  • Adam | March 1, 2013 1:48 PMReply

    Frédéric Bourdin tricked a grieving family into believing that he was their missing 9-year-old son.
    And yet he has the audacity to suggest that if he was on stage with Seth, "it would have been too hard not to punch you in the mouth."
    The Imposter was a good film, and you've had your little moment in the sun, but please Freddy, fuck off back underneath the rock you crawled from...

  • Stewie | February 28, 2013 2:12 AMReply

    McFarlane was great at the Oscars--people who don't "get" his humor are either very stupid or very stupid indeed.

  • Mike | February 27, 2013 2:21 PMReply

    Someone's measuring gay and straight viewership?

Free Indie Movies and Documentaries    

Email Updates

Most "Liked"

  • First Reviews of Woody Allen's 'Magic ...
  • Best of the Week: Peter Biskind's New ...
  • Summer Box Office Freefall Continues ...
  • Academy Elects New Board of Governors: ...
  • Will Mark Romanek Follow Kubrick Into ...
  • Venice Film Festival Awards Golden Lions ...
  • ‘Project Greenlight’ Returns, and They ...
  • Jon Stewart and Stephen Colbert Do Battle ...
  • 9 Films to See in Theaters or Stream ...
  • Attention, Documentary Filmmakers: New ...