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Oscar Talk: Toronto and Telluride Update, from 'The Master' and 'Cloud Atlas' to 'Silver Linings Playbook'

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood September 15, 2012 at 4:40PM

Kris Tapley and I go over the Oscar race post-Toronto and Telluride, from Paul Thomas Anderson's "The Master" and Terrence Malick's "To the Wonder" to the fate of "Anna Karenina" and "Cloud Atlas." Neither of us liked "Hyde Park on Hudson" very much.
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Kris Tapley and I go over the Oscar race post-Toronto and Telluride, from Paul Thomas Anderson's "The Master" and Terrence Malick's "To the Wonder" to the fate of "Anna Karenina" and "Cloud Atlas." Neither of us liked "Hyde Park on Hudson" very much.

Listen to the Podcast here.

'The Master'
'The Master'

This article is related to: Awards, Oscars, Awards, Anna Karenina, The Master, Cloud Atlas, Amour, The Sessions, Keira Knightley, Joaquin Phoenix, Philip Seymour Hoffman, Terrence Malick, Paul Thomas Anderson, Toronto International Film Festival, Telluride Film Festival, Telluride, Toronto


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.