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Oscar Talk, Episode 7: Amelia, Precious, Awards Circuit

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood October 24, 2009 at 10:04AM

Fresh off the plane from LA to London, in advance of my London Film Fest activities, I got on Skype with In Contention's Kris Tapley for our weekly kudocast. We went deep on what went wrong with Amelia, what's going right with Precious, the plethora of awards-worthy but small-scale projects from Sony Pictures Classics (from Coco Before Chanel and An Education to Moon, The Damned United and The Last Station), films that will struggle to get plucked for viewing from Academy voters' DVD piles, and the start of awards season with the Gotham nominations and the Hollywood Film Festival.
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Thompson on Hollywood

Fresh off the plane from LA to London, in advance of my London Film Fest activities, I got on Skype with In Contention's Kris Tapley for our weekly kudocast. We went deep on what went wrong with Amelia, what's going right with Precious, the plethora of awards-worthy but small-scale projects from Sony Pictures Classics (from Coco Before Chanel and An Education to Moon, The Damned United and The Last Station), films that will struggle to get plucked for viewing from Academy voters' DVD piles, and the start of awards season with the Gotham nominations and the Hollywood Film Festival.

This article is related to: Awards, Studios, Oscars, Sony/Screen Gems/Sony Pictures Classics


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Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.