Click to Skip Ad
Closing in...
Toronto Film Festival Lineup: What Did They Get? Toronto Film Festival Lineup: What Did They Get? Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Richard Linklater's Untitled New Film Pushed to 2016, Might Direct Jennifer Lawrence Movie Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers Jill Soloway Says "There Is an All Out-Attack" on Female Filmmakers 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) 'Steve Jobs' Joins Fall Festival Contenders as NYFF Centerpiece Gala: What's Coming Up and What's Not (UPDATED) Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Arthouse Audit: Is 'Phoenix' This Year's 'Ida'? 'Mr. Holmes' Stays Strong Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Friday Box Office: Sandler's 'Pixels' Gets Mixed Response, 'Paper Towns,' 'Southpaw' Not Far Behind Scott Foundas Explains Why He's Leaving Film Criticism--Again--for Amazon Studios Scott Foundas Explains Why He's Leaving Film Criticism--Again--for Amazon Studios Congrats to Monica Bellucci: She's Making History Congrats to Monica Bellucci: She's Making History Broad Green Dates 'Knight of Cups' and Two More Releases Broad Green Dates 'Knight of Cups' and Two More Releases Watch: The Secret Ingredient to David Lynch's Disorienting Cinema Watch: The Secret Ingredient to David Lynch's Disorienting Cinema First Look: 'No' Director Pablo Larraín Channels 'Neruda' with Gael García Bernal First Look: 'No' Director Pablo Larraín Channels 'Neruda' with Gael García Bernal Is 'The Revenant' the Most Hellish Shoot of All Time? Is 'The Revenant' the Most Hellish Shoot of All Time? Broad Green Enters Long-Term Home Video Deal with Universal for Burgeoning Slate Broad Green Enters Long-Term Home Video Deal with Universal for Burgeoning Slate Gabriel García Márquez Documentary Coming Soon (Trailer) Gabriel García Márquez Documentary Coming Soon (Trailer) Watch 'SPECTRE' Trailer: James Bond Meets the Author of His Pain Watch 'SPECTRE' Trailer: James Bond Meets the Author of His Pain 'BoJack Horseman,' 'Rick and Morty,' and Our Love/Hate Relationship with TV 'BoJack Horseman,' 'Rick and Morty,' and Our Love/Hate Relationship with TV Why I Can't Wait to See 'Crimson Peak,' Guillermo del Toro's Sumptuous Period Thriller (VIDEO) Why I Can't Wait to See 'Crimson Peak,' Guillermo del Toro's Sumptuous Period Thriller (VIDEO) First Look at Julianne Moore and Ellen Page as a Gay Couple in 'Freeheld' First Look at Julianne Moore and Ellen Page as a Gay Couple in 'Freeheld' Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Why Kevin Costner Paid for 'Black or White' (New Trailer, Sneak Preview Q & A) Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991 Gabriel García Márquez and Akira Kurosawa Talk Film, Writing and 'Rhapsody in August' in 1991

Oscar Watch: 2012 Show Will Not Move Up, Bruce Davis Retires

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood October 14, 2010 at 1:01AM

Much has been made lately about how the Academy was trying to figure out a way to move up the Oscars in 2012--under ratings pressure from ABC--to get ahead of the pack of awards shows in January and February. I thought it was ludicrous as well as impossible --I detailed the reasons here--so I am not the slightest bit surprised that the Board of Governors in their wisdom has figured out that streaming movies for voters in order to get them to see the films in time was not a solution. Here's a statement from AMPAS regarding the date of the Oscar show in 2012: The Academy’s Board of Governors has determined that the date of the 84th Academy Awards in 2012 will not be significantly earlier than the now-traditional last Sunday in February. A different date still remains a possibility in subsequent years, and the Academy’s staff and Board will continue to evaluate the advantages and challenges associated with such a change.
0
Thompson on Hollywood

Much has been made lately about how the Academy was trying to figure out a way to move up the Oscars in 2012--under ratings pressure from ABC--to get ahead of the pack of awards shows in January and February. I thought it was ludicrous as well as impossible --I detailed the reasons here--so I am not the slightest bit surprised that the Board of Governors in their wisdom has figured out that streaming movies for voters in order to get them to see the films in time was not a solution. Here's a statement from AMPAS regarding the date of the Oscar show in 2012:


The Academy’s Board of Governors has determined that the date of the 84th Academy Awards in 2012 will not be significantly earlier than the now-traditional last Sunday in February. A different date still remains a possibility in subsequent years, and the Academy’s staff and Board will continue to evaluate the advantages and challenges associated with such a change.


Meanwhile, 30-year Academy veteran Bruce Davis is stepping down as executive director, a post he has held since 1989, in June, 2011. That's a long time. AMPAS president Tom Sherak started the search to replace him two weeks ago, he told The Wrap:

“Bruce runs the place,” said Sherak. “The executive director is in charge of 200 people in five locations around the world. I call him the CEO, and he always laughs at me when I say that. He says, ‘Tom, I’m just the executive director.’ And I say, ‘No, Bruce, you’re the CEO.’”

This article is related to: Awards, Oscars


E-Mail Updates








Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.