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Oscar Watch: Hereafter VFX Breakdown

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood February 16, 2011 at 12:58AM

Scanline VFX (300, 2012) and VFX supervisor Michael Owens lavished so much time and energy on the nine-minute tsunami at the start of Clint Eastwood's Hereafter that the movie won the Visual Effects Society (VES) award for outstanding supporting visual effects in a feature motion picture as well as a hotly contested spot in the final VFX Oscar five.
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Thompson on Hollywood

Scanline VFX (300, 2012) and VFX supervisor Michael Owens lavished so much time and energy on the nine-minute tsunami at the start of Clint Eastwood's Hereafter that the movie won the Visual Effects Society (VES) award for outstanding supporting visual effects in a feature motion picture as well as a hotly contested spot in the final VFX Oscar five.

Here's a video breakdown showing how they did it:

For more details, see this VFX feature.

This article is related to: Awards, Directors, Studios, Video, Production , Oscars, Clint Eastwood, Warner Bros./New Line, VFX


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Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.