Click to Skip Ad
Closing in...
Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller Berlin Review: With 'Midnight Special,' Jeff Nichols Offers Up a Very Special Sci-Fi Thriller How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' How They Designed the Characters and Sounds for the Oscar-Nominated 'Mad Max: Fury Road' Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Meryl Streep to Fund The Writers Lab, Supporting Women Screenwriters Over 40 (EXCLUSIVE) Oscar Predictions 2016 Oscar Predictions 2016 Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) Roger Deakins on Shooting Hollywood From the Inside Out in 'Hail, Caesar!' (Video) A Letter to Michael B. Jordan A Letter to Michael B. Jordan Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) Bona Fide Acquires Movie Rights to Knausgaard New York Times Series 'My Saga' for Alexander Payne (EXCLUSIVE) WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More WATCH: 9 Oscar-Nominated Screenwriters on How They Got Their Start, Their Writing Process, and Much More Inside the Oscar Nominees Lunch Inside the Oscar Nominees Lunch How John Ridley and Company Create the Emotional Resonance of 'American Crime' How John Ridley and Company Create the Emotional Resonance of 'American Crime' Top 10 Takeaways:  'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million Top 10 Takeaways: 'Hail, Caesar!' Leads Three New Releases—Which Barely Total $20 Million 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents 'Deadpool' Review & Roundup: Ryan Reynolds Finds a Franchise Worthy of His Talents Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Arthouse Audit: 'The Club' and 'Rams' Reveal Weakness in Subtitled Film Market Inside the Directors Guild Awards Inside the Directors Guild Awards Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' Joel & Ethan Coen Crack Each Other Up, And Me, Talking About 'Hail, Caesar!' Why George Miller Should Win DGA Award and Directing Oscar for 'Mad Max: Fury Road' Why George Miller Should Win DGA Award and Directing Oscar for 'Mad Max: Fury Road' WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) WATCH: Oscar Nominee Tom Hardy Explains Why Shooting 'The Revenant' Was So Bloody Hard (EXCLUSIVE VIDEO) How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' How They Created the Bear VFX for the Mauling of Leonardo DiCaprio in 'The Revenant' How Quentin Tarantino Resurrected Ultra Panavision 70 for 'The Hateful Eight' How Quentin Tarantino Resurrected Ultra Panavision 70 for 'The Hateful Eight' What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt? What Happened to Scorsese's $70-Million Short 'The Audition' Starring DiCaprio, De Niro and Pitt?

Oscar Watch: The Hurt Locker's Bigelow Heads for Best Director

Photo of Anne Thompson By Anne Thompson | Thompson on Hollywood December 14, 2009 at 12:33AM

It's not surprising that the Alliance of Women Film Journalists went with The Hurt Locker and Kathryn Bigelow as best picture and director (they threw a mess of other achievement prizes at her as well--she'd better show up). And gave Jane Campion some props for her Bright Star direction and screenplay. Nor is Manohla Dargis off-base when she complains about the lack of women film directors today. The AWFJ may want to cut back on duplicative awards. They also gave two apiece to Agnes Varda and Mo'Nique.)
6
Thompson on Hollywood

It's not surprising that the Alliance of Women Film Journalists went with The Hurt Locker and Kathryn Bigelow as best picture and director (they threw a mess of other achievement prizes at her as well--she'd better show up). And gave Jane Campion some props for her Bright Star direction and screenplay. Nor is Manohla Dargis off-base when she complains about the lack of women film directors today. The AWFJ may want to cut back on duplicative awards. They also gave two apiece to Agnes Varda and Mo'Nique.)

But here's what's going to happen at the Oscars this year: Bigelow will win best director (beating her ex-husband, James Cameron). Why? Because, beyond the obvious merits of The Hurt Locker, she is due. She boasts a long, solid resume of robust, stylish genre films, all of which look like they could have been directed by men. She makes action films, not romantic comedies. She's one of the guys. Folks in the film business respect her.

More awards on the jump. The full list of AWFJ winners is here.

EDA ANNUAL ACHIEVEMENT AWARDS
Best Film:
The Hurt Locker

Best Animated Film:
Up

Best Director:
Kathryn Bigelow - The Hurt Locker

Best Screenplay, Original:
(500) Days of Summer - Scott Neustadter and Michael H. Weber

Best Screenplay, Adapted
Up In The Air - Jason Reitman and Sheldon Turner

Best Documentary
The Cove

Best Actress
Carey Mulligan - An Education

Best Actress In Supporting Role
Monique - Precious

Best Actor
Jeff Bridges - Crazy Heart

Best Actor in a Supporting Role
Christopher Waltz - Inglorious Basterds

Best Ensemble Cast
The Hurt Locker

Best Editing
Sally Menke - Inglorious Basterds

Most Beautiful Film
Bright Star

Best Non-English-Language Film
Summer Hours

This article is related to: Awards, Directors, Independents, Stuck In Love, The Hurt Locker, Critics Groups, Kathryn Bigelow, Critics


E-Mail Updates






Festivals on TOH



Thompson on Hollywood

Born and raised in Manhattan, Anne Thompson grew up going to the Thalia and The New Yorker and wound up at grad Cinema Studies at NYU. She worked at United Artists and Film Comment before heading west as that magazine's west coast editor. She wrote for the LA Weekly, Sight and Sound, Empire, The New York Times and Entertainment Weekly before serving as West Coast Editor of Premiere. She wrote for The Washington Post, The London Observer, Wired, More, and Vanity Fair, and did staff stints at The Hollywood Reporter and Variety. She eventually took her blog Thompson on Hollywood to Indiewire. She taught film criticism at USC Critical Studies, and continues to host the fall semester of “Sneak Previews” for UCLA Extension.